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Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

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BECOMING AMERICA<br />

REVOLUTIONARY AND EARLY NATIONAL PERIOD LITERATURE<br />

property. Several <strong>of</strong> his classmates, including Horatio Bridge (1806–1893) and<br />

later president Franklin Pierce (1804–1869), would become life-long friends and<br />

supporters <strong>of</strong> both his livelihood and his writing.<br />

After graduating, Hawthorne immersed himself in antiquarian pursuits,<br />

studying Puritan and colonial his<strong>to</strong>ry. Many <strong>of</strong> his s<strong>to</strong>ries would consider<br />

Puritanism’s eect on the <strong>America</strong>n consciousness, particularly in regards <strong>to</strong> the<br />

place <strong>of</strong> evil—and its inevitable impact on human life—in the <strong>America</strong>n individual<br />

and their context in society. The s<strong>to</strong>ries would also give an <strong>America</strong>n slant <strong>to</strong><br />

universal concerns, concerns such as potential conicts <strong>of</strong> individual freedom and<br />

destiny and humankind’s place (if any) in the wilderness/nature, and, perhaps,<br />

in eternity. Sensitive <strong>to</strong> how Puritans would confuse the concrete and particular<br />

with the abstract and spiritual, Hawthorne <strong>of</strong>ten used allegory and symbolism in<br />

order <strong>to</strong> give shading <strong>to</strong> Puritans’ apparently clear-cut, black and white certainties.<br />

He would link Puritan certainties about human nature with more natural human<br />

uncertainties and ambiguities.<br />

His rst published novel derived not <strong>from</strong> his antiquarian studies but <strong>from</strong><br />

his experiences at Bowdoin. Published at his own expense, Fanshawe (1828)<br />

proved such a failure that Hawthorne halted its distribution. Despite this failure,<br />

he successfully placed contemporary and his<strong>to</strong>rical prose pieces in Christmas<br />

annuals, many in The Token, edited by Samuel Griswold Goodrich (1793—1860).<br />

His friend Bridge encouraged Hawthorne <strong>to</strong> publish a collection <strong>of</strong> this work and,<br />

unknown <strong>to</strong> Hawthorne, oered <strong>to</strong> defray its publisher, the <strong>America</strong>n Stationers’<br />

Company, for any publishing losses. Twice-Told Tales came out in 1837 <strong>to</strong> much<br />

critical, though little nancial, success. Hawthorne followed it with his<strong>to</strong>rical<br />

children’s books, including Liberty Tree (1841), and an expanded edition <strong>of</strong> Twice-<br />

Told Tales (1842).<br />

To earn a steady income, Hawthorne worked at the Bos<strong>to</strong>n Cus<strong>to</strong>m House<br />

(1839–1840) and invested money in and lived for a brief stint at the u<strong>to</strong>pian Brook<br />

Farm in West Roxbury, an experiment that ultimately failed. In 1842, he married<br />

Sophia Peabody. They moved in<strong>to</strong> a house owned by Emerson’s family, the Old<br />

Manse, in Concord. There, Hawthorne became part <strong>of</strong> the important literary milieu<br />

that included Thoreau, Fuller, and Emerson.<br />

His s<strong>to</strong>ry collection Mosses <strong>from</strong> an Old Manse came out in 1846. It also<br />

oered little nancial success. Hawthorne returned <strong>to</strong> Salem where he worked in<br />

the Salem Cus<strong>to</strong>m House (1846—1849), losing this position when the Democrats<br />

lost the next election. He used his experiences at the Cus<strong>to</strong>m House in the long<br />

introduction <strong>to</strong> The Scarlet Letter (1850), the novel that won Hawthorne longlasting<br />

fame. This work dramatizes sin, punishment, and redemption—and their<br />

eects not only on its heroine, Hester Prynne, but also on her partner in adultery,<br />

her cuckolded husband, and the surrounding Puritan community and government<br />

that confuses the internal and external self. Hester Prynne both embodies and<br />

transcends the scarlet letter “A” she is forced <strong>to</strong> wear on her breast as punishment<br />

for her adultery. Her lover, the Puritan minister Arthur Dimmesdale, underscores<br />

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