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Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

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BECOMING AMERICA<br />

REVOLUTIONARY AND EARLY NATIONAL PERIOD LITERATURE<br />

3. Why do the tales and myths in Rip Van Winkle connect with the Dutch<br />

rather than with Native <strong>America</strong>n? How does the Mani<strong>to</strong>u Spirit aect<br />

the s<strong>to</strong>ry? What role, if any, does the Mani<strong>to</strong>u Spirit play in Rip Van<br />

Winkle’s s<strong>to</strong>ry? How do Native <strong>America</strong>n legends connect with those <strong>of</strong><br />

the Dutch?<br />

4. Why does Rip Van Winkle awaken <strong>to</strong> a post-<strong>Revolution</strong>ary <strong>America</strong>, do<br />

you think?<br />

5. Why does Irving connect Ichabod Crane in “The Legend <strong>of</strong> Sleepy<br />

Hollow” with images <strong>of</strong> consumption and consumerism? To what eect?<br />

How does Ichabod Crane compare with Brom Bones? Why?<br />

4.4 JAMES FENIMORE COOPER<br />

(1789–1851)<br />

James Fenimore Cooper, author <strong>of</strong><br />

the Leathers<strong>to</strong>cking novels, beginning<br />

with The Pioneers (1823), and seafaring<br />

tales like The Pathnder (1840), was<br />

himself a pioneer and pathnder for<br />

later writers like Herman Melville and<br />

Mark Twain. Cooper dramatized unique<br />

<strong>America</strong>n experiences, such as the<br />

fast vanishing wilderness, and unique<br />

<strong>America</strong>n characters, such as Natty<br />

Bumpo, who was based in part on the<br />

explorer Daniel Boone (1734–1820).<br />

Inuenced by the his<strong>to</strong>rical romances<br />

<strong>of</strong> Sir Walter Scott, Cooper wrote <strong>of</strong><br />

Image 4.2 | James Fenimore Cooper<br />

the uncommon common man, sprung Artist | Unknown<br />

Source | Wikimedia Commons<br />

almost <strong>from</strong> un<strong>to</strong>uched nature itself<br />

License | Public Domain<br />

but certainly <strong>from</strong> the fast-changing<br />

<strong>America</strong>n landscape, in a time and place where he seemed an anachronism but<br />

also a <strong>to</strong>uchs<strong>to</strong>ne <strong>of</strong> <strong>America</strong>n ideals.<br />

Cooper was born in<strong>to</strong> a well-<strong>to</strong>-do family, growing up in Coopers<strong>to</strong>wn, a frontier<br />

village on the southern shore <strong>of</strong> Ostego Lake developed by his father William<br />

Cooper (1754–1809). William Cooper was a judge and member <strong>of</strong> Congress who,<br />

after Fenimore Cooper was expelled <strong>from</strong> Yale for misconduct (perhaps a brawl),<br />

would obtain a position for him in the United States Navy. After William’s death,<br />

Cooper inherited part <strong>of</strong> his father’s large fortune. He left the Navy in 1808 and<br />

married Susan Augusta de Lancey—daughter <strong>of</strong> a wealthy Westchester family—<br />

three years later. He turned <strong>to</strong> writing <strong>to</strong> recoup nancial losses, likely due <strong>to</strong> his<br />

own poor management.<br />

Page | 761

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