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Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

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BECOMING AMERICA<br />

REVOLUTIONARY AND EARLY NATIONAL PERIOD LITERATURE<br />

There was a silence for a little while, when an old man replied, in a thin, piping<br />

voice, “Nicholas Vedder? why, he is dead and gone these eighteen years! There was<br />

a wooden <strong>to</strong>mbs<strong>to</strong>ne in the churchyard that used <strong>to</strong> tell all about him, but that’s<br />

rotten and gone <strong>to</strong>o.”<br />

“Where’s Brom Dutcher?”<br />

“Oh, he went o <strong>to</strong> the army in the beginning <strong>of</strong> the war; some say he was killed<br />

at the s<strong>to</strong>rming <strong>of</strong> S<strong>to</strong>ny-Point—others say he was drowned in a squall at the foot<br />

<strong>of</strong> <strong>An</strong><strong>to</strong>ny’s Nose. I don’t know—he never came back again.”<br />

“Where’s Van Bummel, the schoolmaster?”<br />

“He went o <strong>to</strong> the wars, <strong>to</strong>o; was a great militia general, and is now in<br />

Congress.”<br />

Rip’s heart died away, at hearing <strong>of</strong> these sad changes in his home and friends,<br />

and nding himself thus alone in the world. Every answer puzzled him <strong>to</strong>o, by<br />

treating <strong>of</strong> such enormous lapses <strong>of</strong> time, and <strong>of</strong> matters which he could not<br />

understand: war—Congress-S<strong>to</strong>ny-Point;—he had no courage <strong>to</strong> ask after any<br />

more friends, but cried out in despair, “Does nobody here know Rip Van Winkle?”<br />

“Oh, Rip Van Winkle!” exclaimed two or three. “Oh, <strong>to</strong> be sure! that’s Rip Van<br />

Winkle yonder, leaning against the tree.”<br />

Rip looked, and beheld a precise counterpart <strong>of</strong> himself as he went up the<br />

mountain; apparently as lazy, and certainly as ragged. The poor fellow was now<br />

completely confounded. He doubted his own identity, and whether he was himself<br />

or another man. In the midst <strong>of</strong> his bewilderment, the man in the cocked hat<br />

demanded who he was, and what was his name?<br />

“God knows!” exclaimed he at his wit’s end; “I’m not myself—I’m somebody<br />

else—that’s me yonder-no—that’s somebody else, got in<strong>to</strong> my shoes—I was myself<br />

last night, but I fell asleep on the mountain, and they’ve changed my gun, and<br />

everything’s changed, and I’m changed, and I can’t tell what’s my name, or who<br />

I am!”<br />

The by-standers began now <strong>to</strong> look at each other, nod, wink signicantly,<br />

and tap their ngers against their foreheads. There was a whisper, also, about<br />

securing the gun, and keeping the old fellow <strong>from</strong> doing mischief; at the very<br />

suggestion <strong>of</strong> which, the self-important man with the cocked hat retired with<br />

some precipitation. At this critical moment a fresh, comely woman pressed<br />

through the throng <strong>to</strong> get a peep at the gray-bearded man. She had a chubby<br />

child in her arms, which, frightened at his looks, began <strong>to</strong> cry. “Hush, Rip,” cried<br />

she, “hush, you little fool; the old man won’t hurt you.” The name <strong>of</strong> the child,<br />

the air <strong>of</strong> the mother, the <strong>to</strong>ne <strong>of</strong> her voice, all awakened a train <strong>of</strong> recollections<br />

in his mind.<br />

“What is your name, my good woman?” asked he.<br />

“Judith Cardenier.”<br />

“<strong>An</strong>d your father’s name?”<br />

“Ah, poor man, Rip Van Winkle was his name, but it’s twenty years since he<br />

went away <strong>from</strong> home with his gun, and never has been heard <strong>of</strong> since,—his dog<br />

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