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Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

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BECOMING AMERICA<br />

REVOLUTIONARY AND EARLY NATIONAL PERIOD LITERATURE<br />

2. How does progress/advancement <strong>of</strong> civilization mitigate against the<br />

abundance <strong>of</strong> the land that supports the growing population? How does<br />

the law <strong>of</strong> civilization assist or hinder <strong>America</strong>n ‘rights’?<br />

3. How, if at all, does Natty Bumpo seem a uniquely <strong>America</strong>n character?<br />

Consider the way he dresses, talks, and acts. Consider his attitude<br />

<strong>to</strong>wards the Judge.<br />

4. How does Judge Temple<strong>to</strong>n represent the values <strong>of</strong> civilization?<br />

Why? What dangers are there in settling the land under Temple<strong>to</strong>n’s<br />

jurisdiction?<br />

5. What is Natty Bumbo’s attitude <strong>to</strong>wards Native <strong>America</strong>n rights? <strong>An</strong>d<br />

the Judge’s? How do you know?<br />

4.5 CATHARINE MARIA SEDGWICK<br />

(1789–1867)<br />

Catharine Maria Sedgwick was<br />

born after the <strong>Revolution</strong>ary War in<strong>to</strong><br />

a respected Massachusetts family. Her<br />

father, Theodore Sedgwick, served in<br />

the House <strong>of</strong> Representatives and in the<br />

Massachusetts Supreme Court. Sedgwick<br />

was educated at home and then at<br />

Payne’s Finishing School, a boarding<br />

school in Bos<strong>to</strong>n, and New York.<br />

After her mother died and her father<br />

remarried in 1813, Sedgwick lived with<br />

her brothers, alternating between their<br />

respective households in Bos<strong>to</strong>n and<br />

Image 4.3 | Catharine Maria Sedgwick<br />

New York. In 1821, she <strong>to</strong>ok the unusual Artist | W. Croome<br />

Source | Wikimedia Commons<br />

step <strong>of</strong> converting <strong>to</strong> Unitarianism. The<br />

License | Public Domain<br />

next year, she published her rst novel,<br />

A New-England Tale. It established some constants in her writing: a New England<br />

setting, interest in the benets <strong>of</strong> the Unitarian faith, and focus on domesticity.<br />

In most <strong>of</strong> her works, Sedgwick considers women’s lives, both within and<br />

outside <strong>of</strong> marriage. In Married or Single? (1857), she asked her readers not <strong>to</strong><br />

consider women as mere extensions <strong>of</strong> men or as vessels <strong>of</strong> civilization and virtue<br />

best conned <strong>to</strong> the domestic realm. She also wrote <strong>of</strong> minority groups, including<br />

Native <strong>America</strong>ns. Hope Leslie (1827) sympathetically depicts the religious and<br />

social cus<strong>to</strong>ms <strong>of</strong> Native <strong>America</strong>ns, a depiction based on her own research on the<br />

Mohawks. She had a public life through her activities in various reform movements<br />

tied <strong>to</strong> Unitarianism. She also had a public life as a very well-received writer.<br />

Indeed, in a September 1846 notice <strong>of</strong> “The Literati <strong>of</strong> New York City,” Edgar Allan<br />

Page | 780

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