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Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

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BECOMING AMERICA<br />

REVOLUTIONARY AND EARLY NATIONAL PERIOD LITERATURE<br />

comprising the Underground Railroad. <strong>An</strong>d she published poetry, rst in antislavery<br />

newspapers, then in a collection entitled Poems on Miscellaneous Subjects<br />

(1854). William Lloyd Garrison wrote its preface, endorsing her poetry, and the<br />

book sold so well that Harper published an enlarged and revised edition in 1857.<br />

She wrote consistently about the black experience in slavery, black resistance<br />

<strong>to</strong> slavery, education, women’s rights, and the dangers <strong>of</strong> intemperance. Her poetry<br />

is marked by its emotional intensity, lyricism, and Biblical allusions and language.<br />

It made a strong appeal <strong>to</strong> readers and was strongly appealing <strong>to</strong> them. She also<br />

wrote short s<strong>to</strong>ries, essays, and four novels. In The <strong>An</strong>glo-African Magazine,<br />

she published “The Two Oers” (1859), a work that many consider <strong>to</strong> be the rst<br />

short s<strong>to</strong>ry published by an African <strong>America</strong>n. In 1872, she published Sketches <strong>of</strong><br />

Southern Life, in which she introduced the elderly Aunt Chloe, a free slave strong<br />

on reading and morality, particularly Christian morality.<br />

In 1860, she married Fen<strong>to</strong>n Harper. He died four years later, leaving Harper<br />

<strong>to</strong> care for his three children and their child Mary. Harper continued <strong>to</strong> publish<br />

highly successful books <strong>of</strong> poetry and worked as a paid lecturer, traveling not only<br />

in the North but also in the South. She worked with important social reformers for<br />

equal rights for blacks and for women, including Frederick Douglass, Ida B. Wells<br />

(1862–1931), and Susan B. <strong>An</strong>thony (1820–1906). She joined white-majority<br />

organizations such as The Women’s Christian Temperance Union, the <strong>America</strong>n<br />

Woman Surage Association, and the National Council for Women, <strong>to</strong> give their<br />

causes her support while reminding these groups <strong>to</strong> support blacks.<br />

Her last novel, Iola Leroy, or Shadows Uplifted (1892), tells <strong>of</strong> a mulat<strong>to</strong><br />

woman who reunites her family after the Civil War, refuses <strong>to</strong> pass for white,<br />

and remains true <strong>to</strong> herself and her own goals even within marriage. It speaks<br />

<strong>of</strong> a mutually-supportive black community that communicates amongst itself in<br />

messages <strong>of</strong> which and <strong>to</strong> which whites remain unaware. With Harriet Tubman<br />

(d. 1913), Mary Church Terrell (1863–1954), and Wells, Harper helped found the<br />

National Association for Colored Women in 1896.<br />

4.25.1 “The Slave Mother”<br />

(1854)<br />

A TALE OF THE OHIO.<br />

I have but four, the treasures <strong>of</strong> my soul,<br />

They lay like doves around my heart;<br />

I tremble lest some cruel hand<br />

Should tear my household wreaths apart.<br />

My baby girl, with childish glance,<br />

Looks curious in my anxious eye,<br />

Page | 1477

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