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TEUTONIC MYTHOLOGY. - Centrostudirpinia.it

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IMAGES. 105<br />

stated generally in cap. 9, he asserts of a particular case in cap. 43,<br />

and we have no ground for disbelieving his assertion. The exist<br />

ence of real statues at that time in Germany, at least in the parts<br />

best known to them, would hardly have escaped the researches of<br />

the Romans. He knows of nothing but signa and formas, appar<br />

ently carved and coloured, which were used in worship as symbols,<br />

and on certain occasions carried about ; probably they contained<br />

some reference to the nature and attributes of the several de<strong>it</strong>ies.<br />

The model of a boat, sigmmi in modum liburnae figuratum (cap. 9),<br />

betokened the god of sailing, the formae aprorum (cap. 45) the god<br />

to whom the boar was consecrated ; and in the like sense are to be<br />

taken the ferarum imagines on trees and at certain sacrifices (see<br />

Suppl.). The vehiculum veste contectum of the goddess Earth<br />

will be discussed further on.<br />

The absence of statues and temples, considering the impotence<br />

of all artistic skill at the period, is a favourable feature of the<br />

German cultus, and pleasing to contemplate. But <strong>it</strong> by no means<br />

follows that in the people s fancy the gods were dest<strong>it</strong>ute of a form<br />

like the human ; w<strong>it</strong>hout this, gods invested w<strong>it</strong>h all human<br />

attributes, and brought into daily contact w<strong>it</strong>h man, would be<br />

simply inconceivable. If there was any German poetry then in<br />

existence, which I would sooner assert than deny, how should the<br />

poets have depicted their god but w<strong>it</strong>h a human aspect ?<br />

Attempts to fashion images of gods, and if not to carve them<br />

out of wood or stone, at least to draw and paint them, or qu<strong>it</strong>e<br />

roughly to bake them of dough (p. 63), might nevertheless be made<br />

at any period, even the earliest ; <strong>it</strong> is possible too, that the interior<br />

parts of Germany, less accessible to the Romans, concealed here<br />

and there temples, statues and pictures. In the succeeding cen<br />

turies, however, when temples were multiplied, images also, to fill<br />

their spaces, may w<strong>it</strong>h the greatest probabil<strong>it</strong>y be assumed.<br />

The terminology, except where the words simulacra, imagines,<br />

which leave no room for doubt, are employed, makes use of several<br />

Bohem. malik, the l<strong>it</strong>tle finger, also Thumbkin, Toin Thumb? which may<br />

have to do w<strong>it</strong>h idol. [In the Slavic languages, mal = l<strong>it</strong>tle, s-mall]. Other<br />

OHG. terms are avard ; piladi, pilidi (bild) effigies or imago in general ; in the<br />

Mid. Ages they said, for making or forming (p. 23), ein bilde giezcn, eine<br />

scheme juncfrouwen ergiezen, Cod. Vindob. 428, num. 211, w<strong>it</strong>hout any refer<br />

ence to metal-casting ; ein bilde mezzen, Troj. 19626, mezzen, Misc. 2, 186. On<br />

the L<strong>it</strong>h. balwonas, idolum, statua, conf. Pott de ling. L<strong>it</strong>th. 2, 51, Russ.<br />

bolvdn, Hung, bah any ; Russ. kumtr, idol, both l<strong>it</strong>. and lig. (object of affection).

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