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TEUTONIC MYTHOLOGY. - Centrostudirpinia.it

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wives) ;<br />

HOLD A, HOLLE. 269<br />

<strong>it</strong> was already known to Burchard, and now in Upper<br />

Hesse and the Westerwald, Holle-riding, to ride w<strong>it</strong>h Holle, is<br />

equivalent to a w<strong>it</strong>ches ride.1 Into the same furious host,<br />

according to a wide-spread popular belief, were adopted the souls<br />

of infants dying uribaptized ; not having been christian d, they<br />

remained heathen, and fell to heathen gods, to &quot;VVuotan or to<br />

Hulda.<br />

The next step is, that Hulda, instead of her divine shape,<br />

assumes the appearance of an ugly old woman, long-nosed, big-<br />

toothed, w<strong>it</strong>h bristling and thick-matted hair. He s had a jaunt<br />

w<strong>it</strong>h Holle/ they say of a man whose hair sticks up in tangled<br />

so children are frightened w<strong>it</strong>h her or her equally hideous<br />

disorder ;<br />

2<br />

train :<br />

hush, there s Hulle-letz (-bruin), Hulle-popel (-bogie)<br />

coming/ Holle-peter, as well as Hersche, Harsche, Hescheklas,<br />

Euprecht, Eupper (ch. XVII, house-spr<strong>it</strong>es^, is among the names<br />

given to the muffled serv<strong>it</strong>or who goes about in Holle s train at the<br />

time of the winter solstice. In a nursery-tale (Marchen no. 24)<br />

she is depicted as an old w<strong>it</strong>ch w<strong>it</strong>h long teeth ; according to the<br />

difference of story, her kind and gracious aspect is exchanged for a<br />

dark and dreadful one.<br />

Again, Holla is set before us as a spinning-wife ;<br />

the cultivation<br />

of flax is assigned to her. Industrious maids she presents w<strong>it</strong>h<br />

spindles, and spins their reels full for them over night ;<br />

a slothful<br />

spinner s distaff she sets on fire, or soils <strong>it</strong>.3 The girl whose spindle<br />

dropt into her fountain, she rewarded bountifully. When she<br />

1 Ester s oberh. idiot., sub v.<br />

kamen auch zu cliesem heer Viel weiber<br />

2 Erasm. Alberus, fable 16 : Es<br />

die sich forchten sehr (were sore afraid), Und trugen sicheln in der hand, Fraw<br />

Hulda hat sie ausgesandt. Luther s Expos, of the Epistles, Basel 1522 fol.<br />

69a : Here cometh up dame Hulde w<strong>it</strong>h the snout (potznase, botch-nose), to<br />

w<strong>it</strong>, nature, and goeth about to gainsay her God and give him the lie, hangetli<br />

her old ragfair about her, the straw-harness (stroharnss) ; then falls to work,<br />

He compares nature rebelling against God<br />

and scrapes <strong>it</strong> featly on her fiddle.<br />

to the heathenish Hulda w<strong>it</strong>h the frightful nose (Oberlin, sub v. potzmannchen),<br />

as she enters, muffled up in straw and frippery, to the fiddle s playing.<br />

3<br />

Bruckner, Contrib. to the Henneberg idioticon, p. 9, mentions a popular<br />

belief in that part of Franconia : On the high day comes the Hollefrau<br />

(Hollefra, Hullefra), and throws in reels ; whoever does not spin them full, she<br />

breaks their necks, (conf. infra Berhta and Berhtolt and the Devil). On the<br />

Death out in<br />

high day she is burnt, which reminds one of Carrying<br />

Teutonic and Slav countries, and Sawing the old woman in Italy and<br />

Spain. By the add<strong>it</strong>ion of -frau after the name (conf. gaue fru, p. 253)<br />

we perceive <strong>it</strong>s originally adjective character. Cod. pal. 355 b : ich wen,<br />

kain sckusel in kaim rocken wart nie als hesslich als du bist, I ween no scare<br />

crow on a distaff was ever as ugly as thou.

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