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TEUTONIC MYTHOLOGY. - Centrostudirpinia.it

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zio. 207<br />

the fields of the slain, where the hounds hold revel, are called KVVWV<br />

fj,e\in}0pa, II. 13, 233. 17, 255. 18, 179. Battle-songs were also<br />

sure to be tuned to the praises of Zio, and perhaps war-dances<br />

executed (pekTrevOai *Apr)l, II. 7, 241),<br />

from which I derive the<br />

persistent and widely prevalent custom of the solemn sword-dance,<br />

exactly the thing for the god of the sword. The Edda nowhere<br />

lays particular stress on the sword of war, <strong>it</strong> knows nothing of<br />

Sahsnot, indeed <strong>it</strong>s sverSas x<br />

is another god, IleirnSallr but <strong>it</strong> sets<br />

;<br />

Tyr before us as one-handed, because the wolf, w<strong>it</strong>hin whose jaws<br />

he laid his right hand as a pledge, b<strong>it</strong> <strong>it</strong> off at the joint, whence<br />

the wrist was called ulfliSr, wolf-l<strong>it</strong>h, Seem. 65 a . Sn. 35-6. This<br />

incident must have been well-known and characteristic of him, for<br />

the OK expos<strong>it</strong>ion of runes likewise says, under letter T : Tyr er<br />

einhendr Asa ; conf. Sn. 105, The rest of Teutonic legend has no<br />

2<br />

trace of <strong>it</strong>, unless we are to look for <strong>it</strong> in Walther s onehandedness,<br />

and find in his name the mighty wielder of hosts . I prefer to<br />

adopt the happy explanation, 3 that the reason why Tyr appears<br />

one-handed is, because he can only give victory to one part of the<br />

combatants, as Hadu, another god who dispenses the fortune of<br />

war, and Plutos and Fortuna among the Greeks and Eomans, are<br />

painted blind, because they deal out their gifts at random (see<br />

Suppl.). Now, as victory was esteemed the highest of all fortune,<br />

the god of victory shares to the full the prominent characteristics<br />

of luck in general, partial<strong>it</strong>y arid fickleness. And a remoter period<br />

of our nation may have used names which bore upon this. 4<br />

Amongst the train of Ares and Mars there appear certain<br />

mythic beings who personify the notions of fear and horror. Aelnos<br />

and $o/3o5 (11. 4, 440. 11, 317. 15, 119) answer to the Latin Pallor<br />

1 Conf. Apollo xpvo-dopos above, p. 203, note.<br />

2 Cod. pal. 361, 65 a tells of Julian, that he was forced to put his hand<br />

into the mouth of Mercury s statue : Die hant stiez er im in den munt<br />

dar, darinne uobte sich der valant (devil), er clemmete im die hant, mid<br />

gehabete sie im so vaste, daz er sich niht irlosen mohte (could not get loose).<br />

Besides, the wolfs limb has a likeness to the Wuotan s limb, Woens-let, p. 160.<br />

3<br />

Wackernagel s, in the Schweiz. mus. 1, 107.<br />

4 The Greek epos expresses the changefulness of victory (VLKTJ eVepaXK^y, II.<br />

8, 171. 16, 362 ; VIK.J] eVa/Liei/Serai ai/Spay, 6, 339) by an ep<strong>it</strong>het of Ares,<br />

AAXoTrpoo-aXXoy 5, 831. 889. A certain many-shaped and all- transforming,<br />

being, w<strong>it</strong>h a name almost exactly the same, Vilanders (Ls. 1, 369-92), Baldanderst,<br />

Baldander (H. Sachs 1, 537. Simpliciss. bk 6, c. 9), has indeed no visible<br />

connexion w<strong>it</strong>h the god of war, but <strong>it</strong> may have been the name of a god. The<br />

similar<strong>it</strong>v of this Vilanders to the name of a place<br />

in the Tyrol, Villanders<br />

is, Vulunuturusa, ace. to Steub. p. 79. 178) is near Brixen (Velunutris<br />

merely<br />

accidental.

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