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TEUTONIC MYTHOLOGY. - Centrostudirpinia.it

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LANGUAGE. 333<br />

huliz appears elsewhere as hulizhialmr, OS. liel<strong>it</strong>h-helm, a tarn-<br />

helmet, grima, mask, which wraps one in like a mist or cloud. Of<br />

course the Teutonic tongue could offer several other words to stand<br />

for cloud, beside those six ; e.g., nifl, OHG. nebal, Lat. nebula, Gr.<br />

ve^eX-rj ; Goth, milhma, Swed. moln, Dan. mulm ; Sansk. megha,<br />

Gr. o/u^X?7, o/AixXij, Slav, megla ;<br />

OHG. wolchan, AS. wolcen, which<br />

ON. J?oka nebula,<br />

is to Slav, oblako as miluk, milk, to Slav, mleko ;<br />

Dan. taage M.Dut. swerk ; nubes, OS. gisuerc, caligo, nimbus AS.<br />

;<br />

hoSma nubes, Beow. 4911. And so <strong>it</strong> is w<strong>it</strong>h the other twelve<br />

objects whose names are discussed in the Alvismal. Where simple<br />

words, like sol and sunna, mani and skin, or iord and fold, are<br />

named together, one might attempt to refer them to different<br />

dialects : the periphrases in themselves show no reason (unless<br />

mythology found one for them), why they should be assigned in<br />

particular to gods or men, giants or dwarfs. The whole poem<br />

brings before us an acceptable list of pretty synonyms, but throws<br />

no light on the prim<strong>it</strong>ive affin<strong>it</strong>ies of our language.<br />

Plato in the Cratylus tries hard to understand that division of<br />

Greek words into divine and human. A dual<strong>it</strong>y of proper names,<br />

like Briareos and Aigaion, reminds us of the double forms Hler and<br />

Oegir (p. 240), Ymir and Oergelmir, which last Sn. 6 attributes to the<br />

to be an Elvish<br />

Hrimjwrses ; ISunn would seem by Saem. 89 ar<br />

word, but we do not hear of any other name for the goddess. In<br />

the same way Xanthus and Skamander, Batieia and Myrina might<br />

be the different names of a thing in different dialects. More<br />

interesting are the double names for two birds, the %a\/a9 or<br />

Kv/uLivSw (corif. Plin. 10, 10), and the atero? and Trepicvos. Xa\/ci&amp;lt;;<br />

is supposed to signify some bird of prey, a hawk or owl, which does<br />

not answer to the description opins \&amp;lt;,&amp;lt;yvpd (piping), and the myth<br />

requires a bird that in sweet and silvery tones sings one to sleep,<br />

like the nightingale. Ilepicvos means dark-coloured, which su<strong>it</strong>s<br />

the eagle ; to imagine <strong>it</strong> the bird of the thundergod Perkun, would<br />

be too daring. Poetic periphrases there are none among these<br />

Greek words.<br />

The principal point seems to be, that the popular beliefs of<br />

Greeks and Teutons agree in tracing obscure words and those<br />

departing from common usage to a distinction between divine and<br />

human speech. The Greek scholiasts suppose that the poet,<br />

holding converse w<strong>it</strong>h the Muses, is in<strong>it</strong>iated into the language of

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