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THERE IS DEATH IN THE POT - The University of Texas at Arlington

THERE IS DEATH IN THE POT - The University of Texas at Arlington

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essay omitting the final paragraphs <strong>of</strong> the essay, which explicitly outlined women’s<br />

organiz<strong>at</strong>ional activity against slavery. Hale and Chandler shared similar views on<br />

women’s educ<strong>at</strong>ion and republican motherhood. Hale championed women’s educ<strong>at</strong>ion<br />

so th<strong>at</strong> women might better fulfill their traditional feminine role; Chandler advoc<strong>at</strong>ed<br />

women’s educ<strong>at</strong>ion as a necessary corrective to slavery. Hale, however, denounced<br />

women’s abolitionist activity as too political. “Let us beware <strong>of</strong> exerting our power<br />

politically,” Hale noted in her introduction to Chandler’s essay. “<strong>The</strong> influence <strong>of</strong><br />

woman, to be beneficial,” according to Hale, “must depend mainly on the respect inspired<br />

by her moral excellence, not on the political address or energy she may display.” Hale<br />

claimed a moral position divorced from the male domain <strong>of</strong> politics. 84<br />

In response to Hale’s criticism, Chandler published “Opinions” in the Genius <strong>of</strong><br />

Universal Emancip<strong>at</strong>ion the following month. Chandler affirmed women’s domestic role<br />

but urged women to use th<strong>at</strong> role to aid the cause <strong>of</strong> the oppressed slave. Free produce,<br />

Chandler argued, was an effective abolitionist str<strong>at</strong>egy and relied upon women’s<br />

traditional domestic responsibilities. Chandler admitted th<strong>at</strong> emancip<strong>at</strong>ion was a political<br />

question but she argued th<strong>at</strong> abolition <strong>of</strong> slavery rested upon “the broader basis <strong>of</strong><br />

humanity and justice.” She noted, th<strong>at</strong> “it is on this ground only, th<strong>at</strong> we advoc<strong>at</strong>ed the<br />

84 [Sarah J. Hale], “Introduction to ‘An Appeal to the Ladies <strong>of</strong> the United St<strong>at</strong>es,’” Ladies<br />

Magazine, November 11, 1829; [Sarah J. Hale], “Review <strong>of</strong> Letters on Female Character,” Ladies<br />

Magazine, June 1829; [Elizabeth Margaret Chandler], “Female Educ<strong>at</strong>ion,” Genius <strong>of</strong> Universal<br />

Emancip<strong>at</strong>ion, September 2, 1829; [Elizabeth Margaret Chandler], “Indifference,” Genius <strong>of</strong> Universal<br />

Emancip<strong>at</strong>ion, October 30, 1829. According to Hale, “<strong>The</strong> domestic st<strong>at</strong>ion is woman’s appropri<strong>at</strong>e<br />

sphere, and it will be honorable if she but adorn it with the graces, dignify it by intelligence, and hallow it<br />

by sentiment, tenderness, and piety. An ignorant woman cannot do this.” See also Lundy, Poetical Works,<br />

21. Lundy claimed in th<strong>at</strong> shortly after the public<strong>at</strong>ion <strong>of</strong> “Appeal,” Chandler “found herself engaged in a<br />

gre<strong>at</strong> controversy with a lady <strong>of</strong> gre<strong>at</strong> celebrity, an author, residing in New England.” Though neither<br />

Lundy or Chandler identified Hale as Chandler’s critic, the timing <strong>of</strong> Hale’s reprint and its introduction<br />

suggest th<strong>at</strong> the “lady <strong>of</strong> gre<strong>at</strong> celebrity” was most likely Hale.<br />

128

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