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THERE IS DEATH IN THE POT - The University of Texas at Arlington

THERE IS DEATH IN THE POT - The University of Texas at Arlington

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Figure 1. James Gillray. “Anti-Saccharites, - or - John Bull and His Family Leaving <strong>of</strong>f<br />

the Use <strong>of</strong> Sugar,” 1792. Courtesy <strong>of</strong> British Museum, London.<br />

<strong>The</strong> second political cartoon, “<strong>The</strong> Gradual Abolition <strong>of</strong>f [sic] the Slave Trade, or<br />

leaving <strong>of</strong> Sugar by Degrees,” makes similar references to the problem<strong>at</strong>ic presence <strong>of</strong><br />

women <strong>at</strong> the tea table and in the sugar boycott. (See Fig. 2) Once again, Queen<br />

Charlotte’s behavior <strong>at</strong> the tea table is the focus <strong>of</strong> <strong>at</strong>tention. Carefully weighing the<br />

sugar, the Queen tells Mrs. Schwellenberg, Keeper <strong>of</strong> the Robes, to take “only an ickle<br />

Bit” and to reflect on “de Negro Girl d<strong>at</strong> Captain Kimber tre<strong>at</strong>ed so Cruelly.” 63 <strong>The</strong><br />

63 Cruikshank referenced a contemporary case involving Captain John Kimber, who was tried for<br />

his part in the murder <strong>of</strong> an African woman who refused to dance naked for him on the deck <strong>of</strong> his ship. A<br />

week before Cruikshank published “<strong>The</strong> Gradual Abolition <strong>of</strong> the Slave Trade,” he published a s<strong>at</strong>ire <strong>of</strong> the<br />

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