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THERE IS DEATH IN THE POT - The University of Texas at Arlington

THERE IS DEATH IN THE POT - The University of Texas at Arlington

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William Fox, Martha Gurney, and Sugar Boycott, 1791-1792<br />

Historians have argued th<strong>at</strong> abstention was seen from the first as a female<br />

concern. 21 Yet, early abstainers did not appeal specifically to female consumers or<br />

invoke the familiar space <strong>of</strong> the tea table. <strong>The</strong>y did, however, draw supporters’ <strong>at</strong>tention<br />

to the link between domestic consumption and colonial slave labor. <strong>The</strong> gendered n<strong>at</strong>ure<br />

<strong>of</strong> the abstention movement identified by historians developed instead in response to<br />

William Fox’s first abstention tract.<br />

In July 1791, three months after parliamentary defe<strong>at</strong> <strong>of</strong> the slave trade abolition<br />

bill, William Fox composed and published anonymously An Address to the People <strong>of</strong><br />

Gre<strong>at</strong> Britain on the Utility <strong>of</strong> Refraining from the Use <strong>of</strong> West India Sugar and Rum. 22<br />

Fox’s pamphlet quickly came to symbolize the eighteenth-century rejection <strong>of</strong> slave-<br />

grown sugar. Thomas Clarkson estim<strong>at</strong>ed 300,000 Britons abstained from West Indian<br />

21 See Corfield, “English Abolitionists and the Refusal <strong>of</strong> Slave-Grown Goods,” iv; Seymour<br />

Drescher, Capitalism and Antislavery: British Mobiliz<strong>at</strong>ion in Compar<strong>at</strong>ive Perspective (New York and<br />

Oxford: Oxford <strong>University</strong> Press, 1978), 78-79; Midgley, Women against Slavery, 35. As Drescher argues,<br />

abstention “brought women and children directly into the orbit <strong>of</strong> the campaign.” While abstention did<br />

bring women into the eighteenth-century abstention movement, abstainers such as William Fox did not<br />

specifically seek women’s support, <strong>at</strong> least in the early weeks <strong>of</strong> the campaign.<br />

22 <strong>The</strong> anonymous author <strong>of</strong> A Vindic<strong>at</strong>ion <strong>of</strong> the Use <strong>of</strong> Sugar, published in 1792 in response to<br />

Fox’s Address, claimed, “the Author <strong>of</strong> the pamphlet in question is well known to be a Mr. F**. formerly<br />

an eminent Bookseller in Holborn.” <strong>The</strong> author also noted th<strong>at</strong> Fox “has not been a little remarkable for the<br />

singularity <strong>of</strong> his opinions in general,” implying th<strong>at</strong> Fox’s politics were well known in London. See A<br />

Vindic<strong>at</strong>ion <strong>of</strong> the Use <strong>of</strong> Sugar, the Produce <strong>of</strong> the West-India Islands in Answer to a Pamphlet Entitled<br />

Remarkable Extracts, &c. (London: T. Boosey, 1792), 9. Fox, the bookseller and author <strong>of</strong> the Address,<br />

has been the subject <strong>of</strong> mistaken identity. His works have been <strong>at</strong>tributed to William Fox, an <strong>at</strong>torney-<strong>at</strong>law;<br />

William Fox, a Baptist and founder <strong>of</strong> the Sunday School Society; and his son, William Fox, Jr. For<br />

an analysis <strong>of</strong> Fox’s identity, see Timothy Whelan, “William Fox, Martha Gurney, and Radical Discourse<br />

<strong>of</strong> the 1790s,” Eighteenth-Century Studies 42 (2009), 404-408. William Fox has also been confused with<br />

his contemporary, William Bell Crafton <strong>of</strong> Tewksbury, author <strong>of</strong> A Short Sketch <strong>of</strong> the Evidence Delivered<br />

Before a Committee <strong>of</strong> the House <strong>of</strong> Commons. To Which is Added, a Recommend<strong>at</strong>ion <strong>of</strong> the Subject to<br />

the Serious Attention <strong>of</strong> the People in General, 3 rd ed., with additions (London: M. Gurney, 1792). Fox’s<br />

Address and Crafton’s Sketch were published almost simultaneously. Both advoc<strong>at</strong>ed abstention from<br />

West Indian produce. <strong>The</strong> first edition <strong>of</strong> Sketch was most likely printed in Tewksbury in 1791. See<br />

Clarkson, History, II: 348.<br />

9

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