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The dissemination of divination in roman republican times

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achieve success. <strong>The</strong> prodigies were <strong>in</strong>terpreted by the highest authorities giv<strong>in</strong>g the<br />

<strong>in</strong>terpretations credibility. <strong>The</strong> direct prestige <strong>of</strong> these authorities <strong>in</strong>crease the credibility value <strong>of</strong><br />

the <strong>in</strong>formation entailed <strong>in</strong> the <strong>in</strong>terpretation.<br />

Conclusion<br />

We found that the Roman vocabulary for omens was exceptionally rich. In Lat<strong>in</strong> there are<br />

numerous nouns describ<strong>in</strong>g different types <strong>of</strong> omens, and even more different types <strong>of</strong> adjectives<br />

describ<strong>in</strong>g them as good or bad. Although there is great diversity <strong>in</strong> the terms they all build on<br />

one basic model, accord<strong>in</strong>g to which omens were conceptualized. This model (cf. fig. 10.1) first<br />

<strong>of</strong> all identifies omens as an utterance from the gods or Jupiter to a person. <strong>The</strong> content <strong>of</strong> the<br />

utterance is that the person is on a path towards either success or misfortune. <strong>The</strong> success or<br />

misfortune depends on prior transgression <strong>of</strong> or compliance with duties towards the gods. In<br />

some cases the omen also specifies that someth<strong>in</strong>g can be done to avert an impend<strong>in</strong>g<br />

misfortune. S<strong>in</strong>ce all omen words build on this basic model an analysis <strong>of</strong> a corpus <strong>of</strong> the most<br />

important <strong>republican</strong> sources was carried out to assess whether it was <strong>of</strong>ten communicated.<br />

Compared to two control words (d<strong>in</strong>ner and gladiator) that also specified th<strong>in</strong>gs that the Romans<br />

took an <strong>in</strong>terest <strong>in</strong>, and therefore most likely communicated a lot about, omen words were a lot<br />

more frequently employed <strong>in</strong> the corpus. This suggests that the Romans really did communicate<br />

about this relatively <strong>of</strong>ten, and that the cultural model was very widespread. A comparison with<br />

a similar Greek corpus showed that the Greeks did not communicate about omens to the same<br />

degree. It was also found that this difference was there when controlled for genre. <strong>The</strong> Romans<br />

were simply a lot more <strong>in</strong>terested <strong>in</strong> omens than their neighbors. We can therefore not expla<strong>in</strong><br />

Roman omen practice with simple historical <strong>in</strong>fluence from the Greeks.<br />

In chapter 5 we stipulated that an omen is an event that achieves salience <strong>in</strong> one <strong>of</strong> three ways.<br />

We found all three ways among the Roman omens. <strong>The</strong> normal omens, primarily described as<br />

om<strong>in</strong>a and related to <strong>in</strong>dividuals, achieved salience by the relation <strong>of</strong> the event to the <strong>in</strong>dividual’s<br />

current concerns. <strong>The</strong> event was not <strong>in</strong> itself someth<strong>in</strong>g remarkable. We also found a number <strong>of</strong><br />

omens that were salient because they were part <strong>of</strong> a catalogue <strong>of</strong> signs. <strong>The</strong>se signs ultimately<br />

derived from the discipl<strong>in</strong>e <strong>of</strong> the augurs and thereby from their written records. We also found<br />

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