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An Unexplored Realm in the Heartland of the Southern Gulf ... - Famsi

An Unexplored Realm in the Heartland of the Southern Gulf ... - Famsi

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<strong>in</strong>vestigation before <strong>the</strong> direction <strong>of</strong> <strong>in</strong>fluence is presumed to be from La Venta to El<br />

Marquesillo.<br />

Throughout <strong>the</strong> wax<strong>in</strong>g and wan<strong>in</strong>g <strong>of</strong> major sites that had socially, politically, or<br />

economically impacted regions near El Marquesillo (e.g., Teotihuacán or El Tajín), <strong>the</strong><br />

people <strong>of</strong> El Marquesillo appear to have cont<strong>in</strong>ued <strong>the</strong>ir customs and traditions. Based on<br />

<strong>the</strong> evidence recovered to date, sociopolitical or military <strong>in</strong>trusions are not reflected <strong>in</strong> <strong>the</strong><br />

material record at <strong>the</strong> site. The recurrent changes <strong>in</strong> ceramic technologies throughout <strong>the</strong><br />

Middle Formative to <strong>the</strong> Late Classic periods do suggest, however, that external contact<br />

was somehow selective and limited. By <strong>the</strong> Late Classic, <strong>the</strong> people <strong>of</strong> El Marquesillo<br />

appear to have been participants <strong>in</strong> what is considered to be a resurgence or reassertion <strong>of</strong><br />

<strong>the</strong> <strong>Gulf</strong> Coast populations. Referred to as <strong>the</strong> Villa Alta phase (Coe and Diehl<br />

1980a:213-222), this period saw <strong>the</strong> spread <strong>of</strong> a formal architectural pattern called a long-<br />

plaza complex along <strong>the</strong> Sou<strong>the</strong>rn <strong>Gulf</strong> Lowlands and <strong>in</strong>to upland regions as well<br />

(Killion and Urcid 2001:11). The orig<strong>in</strong>s <strong>of</strong> this multiplex pattern has been attributed, by<br />

some, to <strong>the</strong> Middle Formative period (Heizer, Drucker et al. 1968; Symonds and<br />

Lunagómez 1997), o<strong>the</strong>rs believe it is a Classic period design (Daneels 1997; Stark<br />

1999). In ei<strong>the</strong>r case, <strong>the</strong> expansion <strong>of</strong> this architectural complex is thought to represent<br />

“nodes <strong>in</strong> a local network <strong>of</strong> elite estates <strong>in</strong>tegrated by hereditary, ceremonial, and<br />

political relations” (Killion and Urcid 2001:13). Aga<strong>in</strong>, as <strong>in</strong> <strong>the</strong> Olmec paradigm, <strong>the</strong><br />

region appears to be l<strong>in</strong>ked by a shared ideology <strong>of</strong> rulership that is publicly displayed <strong>in</strong><br />

a reiterative pattern <strong>of</strong> monumental constructions. If <strong>the</strong> scale and number <strong>of</strong> build<strong>in</strong>gs<br />

and architectural group<strong>in</strong>gs <strong>in</strong> <strong>the</strong> primary center is <strong>in</strong>dicative <strong>of</strong> centralized authority,<br />

<strong>the</strong>n El Marquesillo was a major center <strong>in</strong> <strong>the</strong> San Juan River Valley. Moreover, if <strong>the</strong><br />

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