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WILLY: No, Ben! Please tell about Dad. I want my boys to hear. I want them to know the kind of stock they spring from. All I remember is a man with a big beard, and I was in Mamma’s lap, sitting around a fire, and some kind of high music. BEN: His flute. He played the flute. WILLY: Sure, the flute, that’s right! (New music is heard, a high, rollicking tune.) BEN: Father was a very great and a very wild-hearted man. We would start in Boston, and he’d toss the whole family into the wagon, and then he’d drive the team right across the country; through Ohio, and Indiana, Michigan, Illinois, and all the Western states. And we’d stop in the towns and sell the flutes that he’d made on the way. Great inventor, Father. With one gadget he made more in a week than a man like you could make in a lifetime. WILLY: That’s just the way I’m bringing them up, Ben — rugged, well liked, all-around. BEN: Yeah? (To Biff.) Hit that, boy — hard as you can. (He pounds his stomach.) BIFF: Oh, no, sir! BEN (taking boxing stance): Come on, get to me! (He laughs) WILLY: Go to it, Biff! Go ahead, show him! BIFF: Okay! (He cocks his fists and starts in.) LINDA (to Willy): Why must he fight, dear? BEN (sparring with Biff): Good boy! Good boy! WILLY: How’s that, Ben, heh? HAPPY: Give him the left, Biff! LINDA: Why are you fighting? BEN: Good boy! (Suddenly comes in, trips Biff, and stands over him, the point of his umbrella poised over Biffs eye.) LINDA: Look out, Biff! BIFF: Gee! BEN (Patting Biffs knee): Never fight fair with a stranger, boy. You’ll never get out of the jungle that way. (Taking Linda’s hand and bowing.) It was an honor and a pleasure to meet you, Linda. LINDA (withdrawing her hand coldly, frightened): Have a nice trip. BEN (to Willy): And good luck with your — what do you do? WILLY: Selling. BEN: Yes. Well... (He raises his hand in farewell to all.) WILLY: No, Ben, I don’t want you to think... (He takes Ben’s arm to show him) It’s Brooklyn, I know, but we hunt too. BEN: Really, now. WILLY: Oh, sure, there’s snakes and rabbits and — that’s why I moved out here. Why Biff can fell any one of these trees in no time! Boys! Go right over to where they’re building the apartment house and get some sand. We’re gonna rebuild the entire front stoop right now! Watch this, Ben! BIFF: Yes, sir! On the double, Hap! DRAFT HAPPY (as he and Biff run off): I lost weight, Pop, you notice? (Charley enters in knickers, even before the boys are gone.) CHARLEY: Listen, if they steal any more from that building the watchman’ll put the cops on them! LINDA (to Willy): Don’t let Biff... (Ben laughs lustily.) WILLY: You shoulda seen the lumber they brought home last week. At least a dozen six-by-tens worth all kinds a money. CHARLEY: Listen, if that watchman... April 10, 2014 WILLY: I gave them hell, understand. But I got a couple of fearless characters there. CHARLEY: Willy, the jails are full of fearless characters. Grade 9 English Learning Package 22
BEN (clapping Willy on the back, with a laugh at Charley): And the stock exchange, friend! WILLY (joining in Ben’s laughter): Where are the rest of your pants? CHARLEY: My wife bought them. WILLY: Now all you need is a golf club and you can go upstairs and go to sleep. (To Ben.) Great athlete! Between him and his son Bernard they can’t hammer a nail! BERNARD (rushing in): The watchman’s chasing Biff! WILLY (angrily): Shut up! He’s not stealing anything! LINDA (alarmed, hurrying off left): Where is he? Biff, dear! (She exits.) WILLY (moving toward the left, away from Ben): There’s nothing wrong. What’s the matter with you? BEN: Nervy boy. Good! WILLY (laughing): Oh, nerves of iron, that Biff! CHARLEY: Don’t know what it is. My New England man comes back and he’s bleeding, they murdered him up there. WILLY: It’s contacts, Charley, I got important contacts! CHARLEY (sarcastically): Glad to hear it, Willy. Come in later, we’ll shoot a little casino. I’ll take some of your Portland money. (He laughs at Willy and exits.) WILLY (turning to Ben): Business is bad, it’s murderous. But not for me, of course. BEN: I’ll stop by on my way back to Africa. WILLY (longingly): Can’t you stay a few days? You’re just what I need, Ben, because I — I have a fine position here, but I — well, Dad left when I was such a baby and I never had a chance to talk to him and I still feel — kind of temporary about myself. BEN: I’ll be late for my train. (They are at opposite ends of the stage.) WILLY: Ben, my boys — can’t we talk? They’d go into the jaws of hell for me see, but I... BEN: William, you’re being first-rate with your boys. Outstanding, manly chaps! WILLY (hanging on to his words): Oh, Ben, that’s good to hear! Because sometimes I’m afraid that I’m not teaching them the right kind of — Ben, how should I teach them? BEN (giving great weight to each word, and with a certain vicious audacity): William, when I walked into the jungle, I was seventeen. When I walked out I was twenty-one. And, by God, I was rich! (He goes off into darkness around the right corner of the house.) WILLY: ...was rich! That’s just the spirit I want to imbue them with! To walk into a jungle! I was right! I was right! I was right! (Ben is gone, but Willy is still speaking to him as Linda, in nightgown and robe, enters the kitchen, glances around for Willy, then goes to the door of the house, looks out and sees him. Comes down to his left. He looks at her.) LINDA: Willy, dear? Willy? WILLY: I was right! LINDA: Did you have some cheese? (He can’t answer.) It’s very late, darling. Come to bed, heh? WILLY (looking straight up): Gotta break your neck to see a star in this yard. LINDA: You coming in? DRAFT WILLY: Whatever happened to that diamond watch fob? Remember? When Ben came from Africa that time? Didn’t he give me a watch fob with a diamond in it? LINDA: You pawned it, dear. Twelve, thirteen years ago. For Biffs radio correspondence course. WILLY: Gee, that was a beautiful thing. I’ll take a walk. LINDA: But you’re in your slippers. WILLY (starting to go around the house at the left): I was right! I was! (Half to Linda, as he goes, shaking his head.) What a man! There was a man worth talking to. I was right! April 10, 2014 LINDA (calling after Willy): But in your slippers, Willy! (Willy is a<strong>lm</strong>ost gone when Biff, in his pajamas, comes down the stairs and enters the kitchen.) Grade 9 English Learning Package 23
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Module 1 Lesson 1 Enhancing the Sel
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Keep your list for future use. Task
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List logical temporary answers to t
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Task 9 For SIGNIFICANT HUMAN EXPERI
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Make a list of these rhyming words,
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Group 5 WORD Bank One way to enlarg
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Group 8 Connect to Life Task 11.
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THATFAVOREDRIGHTHANDEDPEOPLEANDSHOW
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Form a tableau. Position your body
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Use the following guide questions.
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Use photos and charts in the presen
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Rewriting lines from songs, poems,
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Read the epic poem “Beowulf” wh
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And wild. Herot trembled, wonderful
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Great staggering tracks. They gaped
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Task 7. Into the Hero… After gett
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Task 10. Mark the Punctuations Belo
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Articles So the thing to do when wo
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YOUR FINAL TASK Task 13. Rap Meant
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Column A Column B 1. betwixt (ME) a
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And so they met as their arrangemen
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Then Sir Lucan took up the King the
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“Alas,” said Sir Bedivere,” t
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Criteria UNESCO sends experts to Tu
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8. pages 40-98 9. the New York-Pari
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Business Man ______________________
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Module 1 Enhancing the Self Lesson
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Ask them as to decide what the most
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Do you agree with what each quotati
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Discover how the details in the poe
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Group 7 A Key to… The speaker’s
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Re read the poem, “MOTHER TO SON
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YOUR FINAL TASK Obviously, you’r
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4. Make a tape of the background mu
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Module 1 Enhancing the Self Lesson
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Task 5 Remember the FOCUS QUESTION:
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And our hearts, though stout and br
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Group 6 What are the values expres
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Where are they (open and close quot
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Read according to punctuation. Brea
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Be reminded that your expected outp
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List logical temporary answers to t
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Task 10 WHAT’S IT …? Find out
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Part of the poem What it suggests W
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What is the ad all about? What is c
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Note the words you read or hear ima
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Don’t come to a full pause but re
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Module 2 Valuing Others and their C
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YOUR TEXTS Read the two texts and t
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Task 3 Finding Similarities and Dif
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Task 5: Greatness Revisited Learn m
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during finally just last later next
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Brainstorming Get started by jottin
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ACTIVITY 10: THREE MINUTE PAUSE Tak
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MY TREASURE Task 12: My Final Thoug
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Task 2: Casual Conversations As a t
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This monstrous thing distorted and
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Task 3: Spot the Difference Illustr
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Questions to answer: 1. What does t
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Task 7: Writeshop A. Revise your na
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Module 2 Valuing Others and their C
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YOUR TEXT Reading Text 1 Motive Que
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Task 3: Taking a stand! Know more a
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Adverbs of frequency indicate how o
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YOUR FINAL TASK Task 9: In a nutshe
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Task 2. Possible Sentences Write fi
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l l 6. p e u n y - with unreasonabl
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women, wearing faded house dresses
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(15) A tall boy in the crowd raised
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(58) Mr. Graves nodded and held up
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Source:http://www.wayland.k12.ma.us
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He added: “As you may know, an in
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Line 5 Line 6 Line 7 Line 8 Line 9
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Adapted from: Justice and Fairness
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Task 15. Drill It On Deliver the di
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Module 2 Valuing Others and Their C
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Task 4. Observe Breaks I. Read the
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the lower court's ruling. This was
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Task 7. Texts or Figures? Study how
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Growing up comfortably in the U.S.,
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necessarily take place. Even if we
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Shaping Up Review Activity Sheet fr
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Task 2. IMAGINE View and listen to
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Now is the time to make justice a r
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ack to the South with. With this fa
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Task 6: IN HIS SHOES Read the speec
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YOUR DISCOVERY TASKS Commentary is
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Task 12: NUMB ON NUMBERS Below are
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Module 2 Lesson 6 Valuing Others an
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YOUR TEXT Task 4: Vocabulary Develo
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e done in her regard except so to r
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4. If money not (blind) Jean, she (
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Task 12: VOGUE VIGNETTE By the Rail
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(I left both of them there. I also
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Case 4: You have volunteered in the
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My journey through this lesson enab
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please insert photo of battalion of
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YOUR TEXT Task 4 : WORD CLIMB Each
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He looked as if he were fourteen or
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She heated some lima beans and ham
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Group 5: The chance encounter betwe
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Though Mumble's mom, Norma Jean, th
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Task 13: POST IT! Task 13.1 Scan th
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YOUR FINAL TASK Task 15: A PIECE TO
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consistently late or not at all. pe
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YOUR INITIAL TASKS Task 1. Looking
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Group 2. Obstacle With life in this
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(Sound: Number being dialed on phon
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must have slipped—and I was conne
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Sergeant Duffy. Police Department.
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Staten Island—on some little Seco
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Mrs. Stevenson. Ringing and ringing
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Mrs. Stevenson. Nurses’ Registry.
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we hear nothing but roaring of trai
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c. Gathering leads to suspense Base
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. Giving it a try. Study the paragr
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DRAFT Task 3. Revisiting the radio
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MY TREASURE Please draw an open jew
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YOUR INITIAL TASKS Task 1. Promotin
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You have learned about these extrao
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communicate without seeing or talki
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Cell phone Fax machine E-mail Voice
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d. Vote a Quote List quotations fro
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2. What word comes before the gerun
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Student A calls any student (Studen
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c. Thinking it over. Work in groups
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ethnicities as long as the actors r
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Module 3 Lesson 3 Connecting to the
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Task 3.A Time For Us People are par
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YOUR TEXT Task 5: Search and Match
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This, by his voice, should be a Mon
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Ah, sirrah, by my fay, it waxes lat
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Directions: From the excerpted play
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Activity: Directions: Match the lit
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inexpensive (cheap) bad (evil) to y
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face? ‐ Do many parents try to ar
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portray characters portray characte
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Listen to the dialogue taken from A
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My __________ for you is __________
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Task 3.FACTUAL RECOUNT What proof o
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B. Reminisce and Schematize Directi
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“So tedious is this day/As is the
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Mr. Hopkins! Waitress! Waitress! Ms
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(King stands on his head to think,
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YOUR FINAL TASK TASK 12: Get It On
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Module 3 Lesson 5 Connecting to the
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Task 2: Tune In Directions: Group y
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Father Lawrence: And I will. Come w
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Lord Montague's son killed him. Par
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Lord Capulet: This is wonderful new
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Juliet: (Waking up) Father Lawrence
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Task 5.Panel Forum Group yourselves
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__ ___ ___ ___ ___ ___ ___ ___ ___
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Actors need themes, or big ideas, t
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Module 3 Connecting to the World Le
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Task 3: Photo React Below are the p
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Enumerate some of the tips mentione
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YOUNG MAN: Parkenstacker. GIRL: Mr.
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YOUNG MAN: What is it? What’s wro
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I Task 5. What’s the Word Guess t
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B. Character Analysis Fill out the
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Identifying Participles Study the f
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YOUR DISCOVERY TASKS Task 12. Conne
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TASK 15. Writing Your Own A one- ac
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Write your character sketch here. _
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Task 3. Look Who’s Talking? A. Lo
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DAISY: BOOLIE: DAISY: BOOLIE: DAISY
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BOOLIE: HOKE: BOOLIE: HOKE: BOOLIE:
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DAISY: HOKE: DAISY: HOKE: DAISY: HO
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HOKE: DAISY: HOKE: DAISY: HOKE: Yas
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BOOLIE: DAISY: BOOLIE: DAISY: HOKE:
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1. Who is Daisy? How old is she? 2.
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Form groups of four (4). Choose dia
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Task 10. Getting Deeper A. Read the
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Ex. When I Was Younger… I cried a
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RUBRIC: ORAL COMMUNICATION DIALOGUE
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Small Group Dynamics (SGD) Form fou
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YOUR TEXT DRIVING MISS DAISY by Alf
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At the last minute, she offhandedly
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Past Participle is the third princi
Page 369 and 370: 3. Grazing on the grass, the women
Page 371 and 372: B. DAISY: I don’t need you. I don
Page 373 and 374: B. Dramatic Conventions Group yours
Page 375 and 376: 1. Start with a hook. 2. Introduce
Page 377 and 378: Plot Synopsis Rubric CATEGORY 4 3 2
Page 379 and 380: Module 4 Lesson 1 WORLD Unchanging
Page 381 and 382: 1. What idea is presented by the pi
Page 383 and 384: DRAFT April 10, 2014
Page 385 and 386: RUTH (dispiritedly): Well, I guess
Page 387 and 388: Summary: The rising action of the p
Page 389 and 390: _________________________________ _
Page 391 and 392: 3. Spot and copy two lines in the s
Page 393 and 394: encounter along the way in the cont
Page 395 and 396: 1. Put yourself in your character
Page 397 and 398: with body movements and facial expr
Page 399 and 400: Module 4 Lesson 2 Unchanging Values
Page 401 and 402: Task 3. Take Two Advertisements are
Page 403 and 404: C. Here are other words from the pl
Page 405 and 406: LINDA: Maybe it’s your glasses. Y
Page 407 and 408: LINDA: You’ve got too much on the
Page 409 and 410: I’m thirty-four years old, I ough
Page 411 and 412: milk. The apartment houses are fadi
Page 413 and 414: BERNARD: He’s gotta study, Uncle
Page 415 and 416: WILLY (smiling): Well, I figure, wh
Page 417 and 418: (Charley has appeared in the doorwa
Page 419: WILLY (as though to dispel his conf
Page 423 and 424: and you pay him that respect, or el
Page 425 and 426: so old-fashioned and silly, but I t
Page 427 and 428: BIFF: He did like me. Always liked
Page 429 and 430: WILLY (staring through the window i
Page 431 and 432: YOUR DISCOVERY TASKS Task 9. Speak
Page 433 and 434: (versus characterization), cliff-ha
Page 435 and 436: Find out how you have understood th
Page 437 and 438: ___________________________________
Page 439 and 440: Criteria 10 pts. 7 pts. 5 pts. 3 pt
Page 443 and 444: 2 3 Task 3. Listen to Make a Decisi
Page 445 and 446: Task 5. Elements Galore Plays like
Page 447 and 448: Task 7. Play vs. Short Story You ha
Page 449 and 450: THEATER ARTS 4 pts Exceeds Expectat
Page 451 and 452: The 1929 crash brought the Roaring
Page 453 and 454: Task 11. Cause + Effect Fill in the
Page 455 and 456: To: Group ______ From: Group ______
Page 457 and 458: Fill out the play review checklist
Page 461 and 462: Task 2. What’s in a Play? You hav
Page 463 and 464: YOUR TEXT be able to give feedback
Page 465 and 466: 5. The author, Arthur Miller wrote
Page 467 and 468: Answer the following questions abou
Page 469 and 470: Task 9. Practice the direct and ind
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Introduction Thesis Statement & Sum
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Module 4 Lesson 5 Unchanging Values
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A. B. The Issue The Speaker’s Sta
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Task 4. Critiquing One’s Style (S
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Expressions Got to pull his own wei
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Linda: it was so thrilling to see t
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Linda: Oh, that’s the spirit, Wil
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Howard: She’s crazy for me! (agai
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Howard: I appreciate that, Willy, b
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Howard (rolling up the cord): Willy
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Biff, in his high school sweater, e
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Willy: You go to hell! (Charley lau
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Bernard: What secret? Willy (confid
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Bernard: That’s right. Willy: but
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Charley: Willy, nobody’s worth no
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Happy: Why don’t you bring her—
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Biff: Well, I waited six hours for
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Biff: Let’s hold on to the facts
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Young Bernard: Mrs. Loman! Biff: I
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Happy: Biff, for . . . ! Willy: Are
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They exist. Stanley looks toward le
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The Woman laughs offstage Biff: Som
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Music is heard, Willy’s theme. St
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Linda: Get out of here, both of you
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massive! They’ll come from Maine,
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Willy: I want you to know, on the t
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gather my meaning? I’m not bringi
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Willy: Did you see how he cried to
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Literary techniques are tools, meth
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The Four Desires" Excerpt Despite i
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Excerpt adapted from "The Four Desi
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5. a state of being and creating ac
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o o o o o who plays who. Be sure to
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o o o o o o doesn't have to be this
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http://www.wikihow.com/Design‐a
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For you to be prepared in these cir
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BIFF: There were a lot of nice days
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Task 7. Justifying One’s Acts (SG
Page 547 and 548:
Getting into character Poor Fair Go
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Read more: http://www.utne.com/mind
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Death With Dignity Several years ag
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Task 13. Familiarizing the Theater
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engagement activities entails a lot
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The habits which I should discard a
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