Dialogue in and between Different Cultures - International ...
Dialogue in and between Different Cultures - International ...
Dialogue in and between Different Cultures - International ...
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82 Natàlia Izard & Clara-Ubald<strong>in</strong>a Lorda<br />
brief allusion <strong>in</strong> Cuatro, the allusion to the possibility that the Government is able<br />
to conv<strong>in</strong>ce the French society of the eventual good effects of the project.<br />
The same monolithism is to be seen <strong>in</strong> the <strong>in</strong>troduction of the demonstrators.<br />
Their actions might be narrated with sympathy or solemnity, but they are<br />
considered <strong>in</strong> one <strong>and</strong> the same block, while the journalists from F2, the same as<br />
several witnesses who speak, carefully dist<strong>in</strong>guish the rioters from the rest of the<br />
participants <strong>in</strong> the demonstrations. Furthermore, no witnesses are shown <strong>in</strong> the<br />
Spanish channels, with the exception of two demonstrators on TV3, both of them<br />
opposed to the CPE.<br />
Once these common aspects have been outl<strong>in</strong>ed, we must note that the three<br />
Spanish channels present different orientations <strong>in</strong> the narration of events.<br />
La 2 stresses the festive side of the demonstration, <strong>in</strong>sist<strong>in</strong>g on the confrontation<br />
<strong>between</strong> the young people <strong>and</strong> the government. In this perspective,<br />
there is a nod to the events of May ‘68, while other, more comparable moments <strong>in</strong><br />
the political <strong>and</strong> social history of France, are silenced. These same events are,<br />
however, rightly mentioned <strong>in</strong> the news <strong>in</strong> F2.<br />
Two particular features of the news <strong>in</strong> La 2 can be expla<strong>in</strong>ed by a long<br />
tradition from the Spanish mass media: first of all, the <strong>in</strong>formation about the<br />
moral support from the Archbishop of Lyon, which rem<strong>in</strong>ds us of the important<br />
weight of the Catholic Church <strong>in</strong> Spa<strong>in</strong>; secondly, the total lack of reference to the<br />
cities other than Paris, which could be cautiously associated to the rather centralist<br />
vision of the nationwide mass media <strong>in</strong> Spa<strong>in</strong> (as opposed to the regional mass<br />
media).<br />
As for TV3, they stress the problems of the young people <strong>and</strong> they show an<br />
<strong>in</strong>terest <strong>in</strong> be<strong>in</strong>g neutral by distanc<strong>in</strong>g themselves from the facts by us<strong>in</strong>g the<br />
hearsay construction with ‘it is said’ for the founded op<strong>in</strong>ions on the demonstrators<br />
<strong>and</strong> even for the comparison with the Spanish macrobotellón, made through a<br />
foreign newspaper. We th<strong>in</strong>k, <strong>in</strong> addition, that <strong>in</strong> this case, the reference to the<br />
demonstrations <strong>in</strong> other cities can be due to the particular sensitivity of a regional<br />
channel.<br />
And, last, the journalist from Cuatro, on the streets, is the only one to sketch<br />
the Government’s po<strong>in</strong>t of view. Yet, this channel emphasises the conflict <strong>and</strong> the<br />
riots, without any analysis of the opposed po<strong>in</strong>ts of view. At the same time, the<br />
journalist’s comparison with the Spanish youth movement leaves an aftertaste of<br />
censorship. We could venture that, <strong>in</strong> a general way, the look at those young<br />
demonstrators, for more or less acceptable reasons, is very severe.<br />
All <strong>in</strong> all, the news stays on a very general level: even if cities other than<br />
Paris are mentioned, the actors are kept anonymous, they are “backgrounded”<br />
(van Leeuwen 1996:39).