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3 Fundamentals of press design

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12 Basic principles <strong>of</strong> metal forming<br />

nd<br />

punchfor2 draw<br />

st<br />

punchfor1 draw<br />

as blankholder<br />

forredraw<br />

initialhollow<br />

body<br />

nd<br />

2 drawnpart<br />

die<br />

Fig. 2.1.11 Multiple-draw deep drawing with telescopic punch<br />

The most significant variation <strong>of</strong> deep drawing is done with a rigid<br />

tool (Fig. 2.1.10). This comprises a punch, a bottom die and a blank<br />

holder, which is intended to prevent the formation <strong>of</strong> wrinkles as the<br />

metal is drawn into the die. In special cases, the punch or die can also<br />

be from a s<strong>of</strong>t material.<br />

There are deep drawing methods which make use <strong>of</strong> active media<br />

and active energy. Deep drawing using active media is the drawing <strong>of</strong> a<br />

blank or hollow body into a rigid die through the action <strong>of</strong> a medium.<br />

Active media include formless solid substances such as sand or steel<br />

balls, fluids (oil, water) and gases, whereby the forming work is performed<br />

by a <strong>press</strong> using a method similar to that employed with the<br />

rigid tools. The greatest field <strong>of</strong> application <strong>of</strong> this technique is hydromechanical<br />

drawing, for example for the manufacture <strong>of</strong> components<br />

from stainless steel (Fig.2.1.13, cf. Sects. 4.2.4 and 4.2.5).<br />

Fig. 2.1.12 Reverse drawing<br />

st<br />

blank holder for 1 draw<br />

st<br />

die for 1 draw<br />

st<br />

punch for1 draw as<br />

die for reverse draw<br />

blank holder for reverse draw<br />

punch for reverse draw<br />

Metal Forming Handbook / Schuler (c) Springer-Verlag Berlin Heidelberg 1998

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