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Bildning för alla! - DiVA

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willed away. The pre-existing notion that the teacher’s role is to “transmit culture”,<br />

in which culture is reified and taken as a given, rather than a living tradition to be<br />

explored and interrogated, exercises a powerful ideological effect on conceptions of<br />

the purpose of the education system. This is undoubtedly reinforced by the apparatus<br />

of credentialism that occupies a strategic place in the institutions of schooling<br />

and tertiary education: the mass engine of social differentiation that is constituted<br />

by the system of individualised public examinations and testing. Nevertheless,<br />

it is important to point out that the teacher or tutor continues to have some discursive<br />

room for manoeuvre in how they construct the conditions for interaction in<br />

their own pedagogic practice. If we want to encourage children or adult learners<br />

to think for themselves, we must first be prepared to think with them, to grant the<br />

legitimacy of expressing their differing points of view en route to building a deeper<br />

collective understanding of the field of knowledge being investigated.<br />

Dialogue without words?<br />

In conclusion, I want to return to one of the key dilemmas raised by Rosenqvist<br />

in his discussion of “co-operation for optimal learning occasions for all students”<br />

(Rosenqvist, 2010). He focuses on the heterogeneity of learning groups which<br />

include students identified as being in “severe learning difficulties”. This indeed<br />

poses a “big challenge” for the concept of the polyphonic classroom which I have<br />

developed above, not least because many of these students may be “non-verbal”,<br />

that is, they may not develop the capacity to speak to others using words strung<br />

together in articulated utterances, whether the language of their speech community<br />

is Swedish, English or another natural language. The idea of polyphony lays<br />

great emphasis on the importance of the subject’s “voice”, and implicitly I have<br />

assumed the possibility of spoken interaction between teacher and students when<br />

discussing approaches to classroom discourse in the examples of monologic and<br />

dialogic pedagogy I have given above. Does this not exclude those learners who are<br />

“without words”, and thus unable to participate in the kind of discursive pedagogic<br />

interaction that I have been advocating?<br />

In response, I would begin by returning to the question of the composition of<br />

teaching groups raised by Rosenqvist in his chapter (Rosenqvist, 2010). It seems<br />

to me there is great potential in the model of flexible grouping arrangements that<br />

he describes, where no student would be confined to a permanent “bottom set” or<br />

“help class” identity, and where all students would participate in multiple, varying<br />

learning groups that come together for particular, time-bound educational activities.<br />

When reading his account of the role of the special pedagogue in this setting<br />

as “educator, developer and investigator” (Rosenqvist, 2010, p. 153), it struck me<br />

that in a certain sense this is the role of all teachers who understand and try to<br />

respond to the “plurality of consciousnesses” that faces them in working with a<br />

class or other collectivity of learning subjects. The concept of polyphony that I have<br />

described above leads me to ask whether every group of learners is in fact heterogeneous<br />

to a greater or lesser extent. In this case, perhaps every teacher in an<br />

inclusive school needs to take on responsibility for investigating, developing and<br />

adapting their pedagogy in response to the varied and dynamic ensemble of learning<br />

potentials that confronts them in any concrete educative encounter. To be<br />

42 • BilDning fÖr AllA!

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