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INSIDE THE GURU'S GATE - Anpere

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The Valaitvali Janam-sakhi carries the eldest hagiographical reference dated to<br />

the early seventeenth century. 194 The narrated event starts out from a rhetoric differentiation<br />

of the outer appearance of Guru Nanak and a Hindu scholar named Chattur<br />

Das to make the external dissimilarities and the problem of identification a cause<br />

of interaction between the two. Valaitvali Janam-sakhi locates Nanak’s visit in Varanasi<br />

to his first travel and the scene is laid at the bank of river Ganga. In the opening<br />

section of this anecdote the janam-sakhi narrator provides a detailed description of<br />

Nanak’s dress: he wears white clothes, a pair of shoes, a long scarf, a rosary and the<br />

Kalandri cap characteristic of Muslim hermits. Like Hindus he has a mark (tikka) in<br />

saffron colour on his forehead. 195 The Guru’s clothes, combining Hindu and Muslim<br />

elements, makes Chattur Das utterly confused. Since he cannot identify the sectarian<br />

belonging he opens a conversation by commenting on what Nanak is not wearing,<br />

that is, he has no shalagram, 196 wears no beads of the sacred Basil plant (tulsi) or the<br />

white-clayed (gopi-chandan) mark typical of Vaishnava followers. In response Nanak<br />

requests Mardana to tune his rebeck and describes the typical symbols and rituals of<br />

the scholars in the Vaishnava tradition: they worship the shalagram stone and wear<br />

rosaries of the basil plant. 197 Impressed by these words Chattur Das confirms that<br />

Nanak is a saint (bhagat) of God and requests him to bless Varanasi with his presence.<br />

When Guru Nanak enquires what type of virtues he can obtain from the city,<br />

Chattur Das tells it is a centre of religious studies where learned scholars pursue<br />

inner knowledge (siddh) by studying Smriti texts to teach disciples in the world ‒ an<br />

occupation the pandit himself is dedicated to, however not fully convinced of the<br />

merits he will gain from it. In response to these doubts Nanak utters a verse in which<br />

he teaches the pandit to listen to the message of the universal Creator and write the<br />

name of God instead of engaging in worldly debates. 198 Rather than providing a<br />

circumstantial account of disparate identities of the inhabitants in Varanasi, the<br />

narrative conveys an idealized depiction of the religious elite personified in a Hindu<br />

scholar of the Vaishnava tradition, who comes to stand as an icon of the whole population.<br />

Both the utterances of the scholar and Guru Nanak corroborate which kind of<br />

actions and appearances are typical of this representation: studies and teachings of<br />

teenth century (McLeod 1980a: 281 ‒ 282). The eighteenth century Nanak Prakash by Santokh<br />

Singh similarly mentions that Guru Nanak visited Varanasi and impressed the learned scholars<br />

of Kashi at the river bank of Ganga.<br />

194<br />

In English works the Valaitvali Janam-sakhi is also referred to as the Colebrooke manuscript<br />

which was re-discovered and first published in translation in 1877 by Ernest Trumpp. In 1926<br />

Bhai Vir Singh published an edition that combined narratives from the Colebrooke manuscript<br />

with the Hafizabad version, a similar manuscript acquired by Gurmukh Singh at Oriental College<br />

in Lahore in 1884. This edition Bhai Vir Singh titled Puratan Janam-sakhi, or “The Older Janamsakhi”<br />

to indicate the ascribed historical value of the two manuscripts (McLeod 1980a, Kirpal<br />

Singh 1990).<br />

195<br />

Kirpal Singh 1990: 15.<br />

196<br />

Shalagram is a black stone or fossil believed to be permeated with substances of Vishnu.<br />

197<br />

Kirpal Singh 1990: 16. They hymn uttered is recorded in Guru Granth Sahib on page 1181.<br />

198<br />

GGS: 929.<br />

85<br />

Published on www.anpere.net in May 2008

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