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INSIDE THE GURU'S GATE - Anpere

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As Austin argues, performative utterances produce results or effects on the listener<br />

when they are spoken in a specific situation and context. His examples of performatives<br />

include speech acts drawn from ceremonial, judicial and contractual<br />

speech act situations, such as inaugurations and weddings. For instance, when the<br />

bride in the course of a Christian wedding utters “I do” she actually agrees to take the<br />

man to be her lawful husband. The context is essential for the ability to generate effective<br />

speech and Austin offers a schematization of the conditions necessary for a felicitous<br />

speech performance: there must exist an accepted conventional procedure that<br />

has a certain conventional effect (e.g., “I do” voiced by man and woman within the<br />

context of a wedding ceremony); the particular person and circumstances must be<br />

appropriate for the invocation (e.g., only the bride and groom can say “I do” during a<br />

wedding); and the procedure must be executed correctly and completely (e.g., the<br />

bride cannot say “I do not” or only “I”). The failure to meet these conditions leads to<br />

a breakdown of the performative, in other words, it does not simply take place.<br />

Austin continues to classify three different types of acts that determine different<br />

dimensions of sentence uses: locutionary acts, “which [are] roughly equivalent to<br />

‘meaning’ in the traditional sense” – the semantic content of an utterance; illocutionary<br />

acts which are “utterances which have a certain (conventional) force” and perform<br />

acts through saying something; and finally perlocutionary acts, which is “what<br />

we bring about or achieve by saying something”, in other words the consequence of<br />

saying the utterance. 732 For instance, when Sikhs are uttering the entextualized salutation<br />

“Sat Sri Akal” the locutionary meaning may point to a theological postulate<br />

about God’s ultimate nature and qualities (in this case that God is true (sat) and eternal<br />

(akal)), but if we understand the interactive setting in which the utterance contextualizes,<br />

we may either recognize the act as a greeting, a marker that ends a ceremony,<br />

or the congregation’s public approval of a decision or event that has just taken<br />

place. The propositional meaning of the utterance informs us on the qualities which<br />

Sikhs may attribute to the divine, but conventions are the sources of successful performance<br />

of a speech act and of its illocutionary force. Again, if my intention was to<br />

greet Sikh friends by uttering the phrase ”Sat Sri Akal” in an ordinary social meeting,<br />

most would understand that the illocutionary force of my speech act is to greet since<br />

they belong to a Sikh culture and know the Punjabi language. But if I would use the<br />

same phrase for greeting my Swedish friends most would not understand it at all<br />

because the language and the cultural conventions for greeting acts in the Sikh culture<br />

are alien to them. In this sense, both the semantic aspects of language and the<br />

conventional rules of language use instruct us on what is appropriate or not in a<br />

given situational context in order to get it right.<br />

In response to Austin’s work scholars came to revise the methodologies in<br />

speech act theory and paid considerable attention to the factors which determine<br />

illocutionary acts. Strawson (1964) first formulated the intentionalist approach which<br />

maintains that illocutionary acts only occur if the speaker has the properly corre-<br />

732<br />

Austin 1962: 109.<br />

461<br />

Published on www.anpere.net in May 2008

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