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INSIDE THE GURU'S GATE - Anpere

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MEDIATORS OF GURBANI<br />

In Varanasi the local gurdwara committee (VGPC) functions as the representative<br />

body of the Sikh congregation with authority to employ different types of performers<br />

for posts and assignments. In addition to the staff working at the hospital and the two<br />

schools run by the community, the committee is mainly responsible for three categories<br />

of appointments: firstly, there are employees who live and work in the gurdwaras,<br />

often with their families, in exchange for regular salaries. In this category are<br />

the granthis with main responsibility for the daily ceremonies, the ragi jatha or group<br />

of Sikh musicians and sevadars who take care of practical duties. Secondly, there are<br />

performers who work on performance-based assignments inside the gurdwaras or at<br />

private houses, as in the case of pathi, or professional reciters who are engaged only<br />

for ceremonial recitations of the Guru Granth Sahib. The third category of specialists<br />

would include a range of performers who are more or less self-employed and invited<br />

by Sikh congregations on special occasions, like touring kathakar, or exegetes, and<br />

pracharak, or propagandists of the Sikh religion. The different categories of performers<br />

are relevant to the present study and are briefly discussed below, with particular<br />

focus on the granthi.<br />

The term granthi, derived from the Sanskrit word granthika, signifies a narrator<br />

who reads the “book” (grantha [Sanskrit]) or a “book-specialist”, in this case of the<br />

Guru Granth Sahib. In colloquial speech the granthi is often addressed as Bhai Sahib<br />

or “respected brother” by other community members. Traditional accounts purport<br />

that the first granthi in Sikh tradition was the venerable Baba Buddha who was designated<br />

by Guru Arjan to attend the Sikh scripture when it was installed in Harimandir<br />

Sahib at Amritsar in 1604. Presumably the service of the granthi grew into importance<br />

after the Sikh scripture ascended to the office of the Guru and recitation, singing and<br />

expositions of the Guru’s teaching were completely incumbent on Sikh disciples in<br />

absence of a human preceptor. As manuscripts of the Sikh scripture were not broken<br />

into separate words (padchhed) until printed versions in the twentieth century, the<br />

granthi was the specialist with the skill to divide the lines of words and artfully recite,<br />

sing, and bring out meanings. The Sikh reform movements in the beginning of the<br />

twentieth century entailed more responsibilities and status of the granthi post when<br />

the Sikhs took charge of the administration of gurdwaras that had previously been in<br />

control of Hindu priests. Ritual duties managed by Brahmins – such as marriage and<br />

death ceremonies ‒ were transferred to the domain of Sikh performers. The word<br />

granthi is frequently translated to mean the “custodian” of Guru Granth Sahib as his<br />

main duty is to conduct the daily liturgies and ministration to the Sikh scripture. This<br />

category of performers should be distinguished from pathi, or “reciter” (the one who<br />

does path), who similar to the granthi is trained in reading the Gurmukhi script and<br />

enunciating the words of Guru Granth Sahib without errors or interruptions. Unlike<br />

the granthi, a pathi is only employed for special recitations of the Sikh scripture (such<br />

as Akhand path) and does not need any formal education. The pathi will make no additional<br />

commentaries or interpretations of the recited texts.<br />

187<br />

Published on www.anpere.net in May 2008

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