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INSIDE THE GURU'S GATE - Anpere

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mon title used for a female equivalent ‒ a woman graced with spiritual knowledge<br />

and powers ‒ is Mata ji, or “respected mother.”<br />

MOTIVES AND EDUCATIONS<br />

The decision to go into any of the above mentioned vocations may be prompted by a<br />

range of motives. Most of the Sikh performers employed in the gurdwaras have had<br />

other employments and work experiences before they decided to go into the religious<br />

field. The head granthi at Nichibagh Gurdwara, for instance, earlier worked as a tailor<br />

in his home village in Bihar and maintained his skill as a side line by sewing Sikh<br />

drawers (kachhaira) – one of the five symbols initiated Sikhs should wear ‒ to community<br />

members. The assistant granthi was originally a Hindu who worked as a photographer<br />

before he converted to Sikhism and moved into the gurdwara. Similarly, a<br />

musician and member of a ragi jatha in Varanasi said his attraction to devotional Sikh<br />

music motivated not only his choice of career but also his decision to become a Sikh.<br />

He was brought up in a Hindu family and converted to Sikhism against the consent<br />

of his family. The majority of paid sevadars in the gurdwaras originated from the<br />

lower strata of the Hindu caste hierarchy and had been engaged in caste-determined<br />

occupations, like carpenters (tarkhan), leather workers (chamar), washer men (jado), or<br />

ironsmiths (lohar), before their formal adoption of a Sikh identity. The gurdwara often<br />

functions as a haven for people who have been exposed to discrimination or outcast<br />

from the social network of their families.<br />

As the way of living and working inside a gurdwara requires a high degree of<br />

morality, responsibility, and discipline, those who make the final choice to dedicate<br />

their lives to religious professions are often driven by strong emotional forces,<br />

whether these are of a purely spiritual character or evoked in response to personal<br />

experiences of social injustices. A kathakar from Rajasthan who visited Varanasi in<br />

2000 related he was a businessman in Bihar from the 1970s. He recalled how his life<br />

changed drastically in 1984 during anti-Sikh riots following the assassination of Indira<br />

Gandhi. His shop was set on fire by the mob and all his capital resources were<br />

destroyed within a couple of hours. In his own wordings, this moment signified a<br />

“change in his heart”. Explaining his personal loss from a broader political perspective<br />

he said, “Two Sikhs did wrong and for that people tortured a whole community.<br />

This is not justice.” The experience made him leave the trading occupation. Impoverished<br />

he resorted to the local gurdwara, at which he lived and did service for almost<br />

ten years. The personal tragedy impelled him to study religion and to earn his livelihood<br />

he became a traveling expounder and propagandist of Sikhism.<br />

A similar story about how experiences of loss and suffering turned into a vocation<br />

was told by the venerable Giani Sant Singh Maskin, who worked as a kathakar for<br />

almost fifty years and gained world fame before his death in 2004. The private TV<br />

channel ETC used to televise his katha performances daily to over eighty-six countries<br />

‒ thirty minutes in the morning after the program from Harimandir Sahib in Amritsar<br />

and thirty minutes after sunset. Most of his kathas are today mass-produced on<br />

192<br />

Published on www.anpere.net in May 2008

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