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INSIDE THE GURU'S GATE - Anpere

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of the scripture in one hour, but to avoid errors from fatigue each of them usually<br />

reads for two to three hours at a twelve hour interval, which equals four shifts during<br />

the forty-eight hour long recitation. Some of the local reciters have acquired fame for<br />

their proficiency in reading. In year 2001 I met Trilok Singh, an 82-year-old man from<br />

the neighboring town Ramnagar who had been a pathi for more than fifty years. His<br />

colleagues verified that he read more than sixty pages in one hour as he had memorized<br />

large sections of the scripture. In case one reciter reads slowly then the others<br />

have to cover it by reading faster to complete it within the given time limit. To keep<br />

the reading unbroken the reciters have developed a sign language to communicate<br />

human needs that may arise during the reading. Pointing with the little finger, for<br />

instance, signifies a more urgent necessity to visit the washroom, while a thumb up<br />

denotes thirst or hunger. Nearby the scriptural dais the reciters usually keep a small<br />

bell to ring for someone to take over their reading if they are stricken with drowsiness<br />

and need a break.<br />

Although no standardized speech style exists for recitations like Akhand path,<br />

the reader is likely to employ melodies and intonations of individual choosing to<br />

bring out the rhyme and rhythm of verses within the text and make the reproduction<br />

of gurbani aesthetically appealing. A common technique of embellishing the recitation<br />

is to create a melody out of three keys in a descending order of pitch. Depending<br />

upon the metrical structure of the verse recited, four or more lines will follow the<br />

same melody, while the end of a verse, usually the line which carries the name of<br />

Nanak, is given a melodic frill that will be pitched higher than the preceding lines<br />

and given a longer intonation. Professional reciters may use their vocal capacities to<br />

glide between the tones in melody and know where to intone words to bring out the<br />

poetic dynamism and beauty of the scripture.<br />

During the course of a reading, the reciter should ideally avoid any contamination<br />

of the pages caused by bodily fluids. More orthodox views prescribe that reciters<br />

preferably cover the mouth with a large handkerchief while reading, even if this<br />

practice is rarely followed. 468 As I observed in Varanasi, the granthi, who often reads<br />

the first verses of the scripture when an Akhand path is starting and subsequently<br />

allows a reciter to continue the reading, masks his mouth with a shawl on these occasions,<br />

while the reciter taking over usually does not. Many of the professional reciters<br />

have by years of practice developed a recital technique where they are using minimal<br />

mouth gestures, and thus expose less saliva while controlling their diaphragm and<br />

breathing to enhance the sound of their voices. They hardly move their lips even if<br />

their voices will penetrate the space inside the gurdwara, even without the assistance<br />

of loudspeakers.<br />

468<br />

During my fieldwork I observed that only reciters at the Sikh center of Patna Sahib masked<br />

their mouth during performances of Akhand path.<br />

269<br />

Published on www.anpere.net in May 2008

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