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INSIDE THE GURU'S GATE - Anpere

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transformation of those in the social reality, outside the text, who devotionally submit<br />

to the Guru’s teaching.<br />

MAKING PAST PRESENT THROUGH “THINGS”<br />

The local Sikh history relates that when Guru Tegh Bahadur left Varanasi to continue<br />

his travels eastwards his disciple Kalyan Das and other devotees in Varanasi tearfully<br />

queried the Guru how they would be able to live without his auspicious sight. In<br />

response Guru Tegh Bahadur handed over his shirt (kurta) in Dhaka muslin, “after<br />

touching it to his body”, and his wooden sandals. The Guru told his disciples that by<br />

seeing this shirt in love and devotion they would always get the sight of him. 220 By<br />

offering some of his clothes the Guru bridged the temporal and spatial separation<br />

between himself and the congregation, caused by his departure, and established his<br />

eternal presence at the location. In Nichibagh Gurdwara today the shirt and sandals<br />

have been displaced to showcases as markers of an event that occurred more than<br />

three hundred years ago. The objects have been given the status of relics because they<br />

were parts of the corporeal properties of Guru Tegh Bahadur, which he wore on his<br />

body and intentionally handed over to the congregation. Mundane garments that the<br />

Guru once used in everyday practices have been re-framed and attributed a sacrosanct<br />

status. Metonymically the relics are believed to store and mediate the power of<br />

the Guru and his wish to be remembered in Varanasi, that is, parts of the Guru corporeal<br />

presence continue to emanate power and evoke memories of an event in a common<br />

past which they claim to be a part of.<br />

If narratives attempt to prove historical presences of the Sikhs Gurus and connect<br />

the contemporary community with a pristine past, then marked out geographical<br />

locations and material objects, such as relics and artefacts, forcefully support these<br />

stories. To erect a building labeled “historical” (itihasik) is in itself an effort to link up<br />

with a common past. Clothes, weapons, letters and other items related with the human<br />

Gurus are held to constitute the material body of evidence of written depositions<br />

about the Gurus’ deeds. The stories recounted and the “things” displayed are interdependent:<br />

a story discursively explains the historical event related to a relic or picture,<br />

while the object will affirm and substantiate the story told. Radley (1990) reminds<br />

us that the human activity to remember and create a past is a product of both<br />

human discourses and “the world of things”. When material objects are removed<br />

from one context over time (e.g., functional or mundane usage) to be displaced and<br />

systematically arranged within another (e.g., church or museum) they “become<br />

marked out as indices of the past, as objects to ‘remember by’.” 221 Artefacts often<br />

survive in ways not premeditated by the owner or holder. A sword, for instance, may<br />

have outlived its functional aspects and instead becomes a condensed symbol that<br />

operates as historical “evidence” on which people build interpretations of history and<br />

220<br />

Varanasi Dian Kuch Itihasik Yadan, p. 11.<br />

221<br />

Radley 1990: 52.<br />

97<br />

Published on www.anpere.net in May 2008

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