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INSIDE THE GURU'S GATE - Anpere

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professional reciters who read in relays for five to seven days. The length of the verse<br />

chosen for reiterations, and the technique by which the reader repeats the verse, will<br />

determine the amount of time dedicated to the path.<br />

Although the reciters in Varanasi had never performed Sampat path themselves,<br />

they had observed performances at other places and instructed me briefly on the<br />

methods by which sampats can be used. A common method is to select the mulmantra<br />

or Hukam that comes out when the scripture is ceremonially opened for a recitation.<br />

In the latter case, the particular hymn that constitutes the Hukam is written down on a<br />

paper, and while one person starts to read from the scripture, another will repeat the<br />

Hukam after each completed sequence of verses in Guru Granth Sahib. When Sampat<br />

path is undertaken for a special purpose or desired effects reciters will instead choose<br />

a sampat which semantically corresponds to the stated reason. 472 The metric form of<br />

the sampat verse may decide the number of times it should be repeated at each interpolation.<br />

If the verse is made up of one line the reciter will read it only once, and if it<br />

contains two lines he will read the same verse twice. An even more advanced way of<br />

reciting is to add each selected sampat with a repetition of the mulmantra after each<br />

completed line or verse of the scripture. In this way the reciters may build up layers<br />

of gurbani verses, which frame the hymns being read from the scripture.<br />

A few of my interviewees in Varanasi held that Sampat path was a too timeconsuming<br />

way to perform the Guru Granth Sahib. An elderly businessman, who<br />

was a reciter in addition to his ordinary job, said: “If you get up [and take a break]<br />

and come back on duty, then you have to take a shower and change clothes again.<br />

You can not come back wearing the same clothes as before.” When I asked if he knew<br />

if anyone organized Sampat path in the local community, he spontaneously replied:<br />

”Who has that much time? This path requires much time.” During my fieldwork I<br />

received information only of one Sampat path in 2000 which the then chairman of the<br />

gurdwara committee (VGPC) arranged. Paid reciters invited from Punjab conducted<br />

this reading.<br />

<strong>THE</strong> PLEASURABLE ENDING<br />

When a recitation of Guru Granth Sahib ‒ broken or unbroken ‒ is approaching the<br />

end, families and friends will gather at the gurdwara or the place at which a path is<br />

going, to listen to the reading of the four last pages of the scripture (pages 1426 to<br />

1430). From a textual viewpoint, these pages comprise four separate compositions: a<br />

set of couplets of Guru Tegh Bahadur; “the closing seal” (Mundavani) and a couplet of<br />

the fifth Guru Arjan; and finally a twelve-versed composition called “the rosary of<br />

472<br />

For instance, a local pathi asserted that the following hymn of Guru Arjan was used in Sampat<br />

path for protective purposes: “He does not let His devotees see the difficult times; this is His<br />

innate nature. Giving His hand, He protects His devotee; with each and every breath, He cherishes<br />

him” (GGS: 682).<br />

273<br />

Published on www.anpere.net in May 2008

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