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INSIDE THE GURU'S GATE - Anpere

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and the history is therefore segmented into episodes to display the Gurus’ actions.<br />

The people who encounters with the Guru (patients) are presented only in relation to<br />

him and transform as they interact with the Guru.<br />

Focusing only on the two main stories which relate the visits of Guru Nanak<br />

and Guru Tegh Bahadur at Varanasi, the emic history has apparently drawn much of<br />

the semantic content and structure from local legends transmitted orally, combined<br />

with fabrics from the varying oral and textual janam-sakhi traditions of the broader<br />

Sikh community. Similar to many janam-sakhis narratives the local history is presented<br />

in the form of anecdotes or short stories of events that claim to recount true<br />

incidents of the past. In an analysis of secular stories Baumann (1988) instructs that<br />

anecdotes tend to focus on a single episode ‒ a segment of narrated events ‒ and are<br />

characterized by a dialogic construction that strives towards a final climactic point,<br />

often of a moral tenor. Anecdotes are end-oriented stories that usually incorporate<br />

instances of quoted speech or reported utterances at the end to underline the message<br />

of a final punch line. 209 Correspondingly the narrative plot configuration of the emic<br />

history is composed of two episodes on Guru Nanak and Guru Tegh Bahadur, which<br />

consist of anecdotes about selected events that are made relevant and sequenced in a<br />

cohesive way to add up to the final punch line. Each episode is framed by an opening<br />

orienting section, which serves to set the spatial and temporal framework, and ends<br />

with a concluding coda to bridge the narrated past events with the contemporary<br />

Sikh community and buildings. 210 The orienting section informs about the reasons<br />

why the Gurus visited the eastern regions ‒ Guru Nanak appeared in the degenerated<br />

time of kaliyug and set out on travels to give salvation and Tegh Bahadur traveled out<br />

of Punjab at the request of his disciples ‒ and then locates the subsequent narrated<br />

events in time and space by stating the years and the ways by which the Gurus arrived<br />

at Varanasi. The ending coda identifies the Gurus’ sites in the local geography<br />

of Varanasi and declares how they have been protected by contemporary devout<br />

Sikhs. The concluding addendum of the story on Guru Tegh Bahadur’s visit in Nichibagh<br />

provides information on preserved relics and letters of the Guru, which the<br />

gurdwara displays for veneration. Through this meta-narratively framing the written<br />

history may serve as a handbook for pilgrims, instructing them on which historical<br />

sacred sites to attend and the material objects to honor on their visit in Varanasi.<br />

Like the typical style of the janam-sakhi literature, the local narrative interpolates<br />

several shorter and longer quotations from Guru Granth Sahib held to be uttered<br />

or sung by Guru Nanak as a divine revelation transmitted through his voice.<br />

Anecdotes on Guru Nanak do not only serve to demonstrate the superiority of the<br />

Guru’s identity and deeds, but embroider the narrative settings of time, place and<br />

causality under which hymns are claimed to be produced. In the local narrative, conversations<br />

and acts eventually culminate in a final punch line that imparts the point<br />

209<br />

Bauman 1988: 55. See also McLeod’s (1980a) discussion on form and function of the janamsakhis.<br />

210<br />

See Bauman 1988: 91.<br />

90<br />

Published on www.anpere.net in May 2008

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