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INSIDE THE GURU'S GATE - Anpere

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etween the highly stipulated formal features of Akhand path and the apparent lack of<br />

one coherent “meaning” seems to make the performance “apprehensible” for the<br />

assimilation of multitude meanings derived from contextual elements. 760 As the entextualized<br />

text of Guru Granth Sahib contextualizes in the performance of Akhand<br />

path within a particular social framework, the recitation can evoke several metaleveled<br />

symbolic meanings, illocutionary functions, and perlocutionary effects. Celebrants<br />

will draw these meanings from surrounding discourses or from the positioning<br />

of Akhand path within the structure of other Sikh ceremonies. In some instances<br />

the tradition will specify conventional meanings and effects which can be expected<br />

from the enactment.<br />

Take, for example, the performance of Akhand path during a death ceremony. In<br />

Varanasi the Sikh observances following a death usually span over a period of thirteen<br />

days and comprise of a set of acts that should be performed prior and subsequent<br />

to the cremation. The death ceremony is not one single ritual but provides a<br />

new context that brings together and reframes a plurality of common worship forms<br />

‒ such as recitation of Sukhmani Sahib, Kirtan performances, readings of Ardas, and so<br />

on ‒ that appear in other ceremonies as well. In this particular context Akhand path<br />

makes a post-cremation ritual, arranged from the 5 th , 7 th , 11 th or 13 th day after a death.<br />

The auspicious completion of the recitation finalizes the death ceremony when<br />

community members express condolences with the chief mourners by dressing up in<br />

white clothes and together perform a last prayer for the deceased. When asked the<br />

reasons for performing the recitation on this occasion, some of my informants would<br />

say “it is for the peace of the deceased soul”, “for respect to the deceased family<br />

member”, “to support the mourners in their grief”, “because it was the last wish of<br />

the deceased” or “because it is a part of the death ceremony”. These responses have a<br />

common denominator in that they refer to social and emotional circumstances surrounding<br />

real human experiences of death. Others would develop more elaborate<br />

religious explanations to present Akhand path as a worship act that would generate<br />

good karma and assist the soul of the deceased on the journey to a divine court. In<br />

either case there was no intrinsic single meaning to the performance, but respondents<br />

drew their own reasons from religious discourses and social conditions which they<br />

themselves found most significant in the particular situation and superimposed on<br />

the performance.<br />

The range of these “derived” or “proposed” meanings, however, is not entirely<br />

ad lib since people are socialized and situated within a given cultural framework. To<br />

arrange an Akhand path after a death is a practice stipulated by the tradition and the<br />

expressed meanings for observing this practice quite often employ and refer back to<br />

fairly conventional beliefs, purposes, and norms. For instance, local Sikhs recurrently<br />

say that Akhand path and the final reading of Ardas in the gurdwara are conducted<br />

“for the peace of the deceased soul”. When the mourners are sending out invitation<br />

letters to the congregation before the gathering, they will similarly write that they<br />

760<br />

Humphrey & Laidlaw 1994: 227.<br />

474<br />

Published on www.anpere.net in May 2008

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