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INSIDE THE GURU'S GATE - Anpere

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Satnam Vahiguru in a repetitive manner, all assembled in the gurdwara will know that<br />

a recitation act of gurbani is likely to follow (See Chapter 3). The opening verses and<br />

formulas have become conventional in Sikh worship and have propositional meanings<br />

which can be explained. But in performance they assume a functional role of<br />

providing the interpretative frame and context for what is to come. According to<br />

Bateson (1972), linguistic boundary markers like these frame episodes of actions with<br />

meta-communicative messages, which evoke a mode of interpretation of that particular<br />

action. The messages will announce and instruct listeners that the action or units<br />

of action that is to follow is different from ordinary acts. 758 The technique of embedding<br />

renditions of gurbani with linguistic and non-linguistic markers adds illocutionary<br />

forces to the performance. The formulaic invocations and salutations at the beginning<br />

and end of performances, as well as the performer’s bodily gestures and<br />

choice of pitch and intonation, become contextualization cues that signal how devotees<br />

should orient themselves towards the speech event by isolating gurbani from<br />

surrounding discourses, and emphasize that these words are authoritative in themselves.<br />

The enunciator may explain the short invocations from a religious framework<br />

in terms of a simran to settle the mind and become mentally attuned with the divine.<br />

He or she remains a social person in a here-and-now context and simultaneously<br />

prepares to become a proper medium of the Guru’s speech. 759 In recitations the markers<br />

are strategic resources to entail a clear shift in the animator’s relationship to his or<br />

her words, from ordinary talk towards an authoritative speech form that will activate,<br />

reveal and make manifest the eternal Guru dwelling within gurbani.<br />

Performance features of Sikh worship acts thus forcefully encourage the understanding<br />

that gurbani stem from a source far beyond current human contexts, but yet<br />

are attributed powerful effects and capacities to alter human conditions as the words<br />

are made present in the performance. In discourses local Sikhs will confirm that recitations<br />

from Guru Granth Sahib, and especially complete and unbroken readings of<br />

the whole scripture make the agency of the Guru manifest in temporal and spatial<br />

settings. “When arranging Akhand path, it is like the house became pure and sacred<br />

because Guru Maharaj ji came to the house… gurbani was recited at the house,” a<br />

middle-aged Sikh woman said. She alluded to both the formal installation of Guru<br />

Granth Sahib in one single volume and the recitation acts that would bring out the<br />

total authoritative speech of the scripture without any break.<br />

758<br />

Bateson 1972.<br />

759<br />

For a discussion on the techniques to transform the enunciator’s person into a real supernatural<br />

presence, see the analysis of Severi 2002.<br />

471<br />

Published on www.anpere.net in May 2008

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