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INSIDE THE GURU'S GATE - Anpere

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non-perceptible beings to play a role and interact with people in the human world. 743<br />

In other words, religious language practices involve the construction and attribution<br />

of a certain agency which is believed to provide practitioners access to supernatural<br />

powers. This partly explains why religious people pay great attention and care to the<br />

proper uses of words held sacred.<br />

Speech act theory can, however, be useful to analyses of the more conventional<br />

aspects of verbal and non-verbal religious activities. Applying speech act theory to<br />

the study of rituals, Rappaport (1999) notes that “[R]ituals are full of conventional<br />

utterances and acts which achieve conventional effects” and there exists a special<br />

relationship between rituals and performatives. 744 The formal characteristics and<br />

correctness that is typical of ritual performances enhance the weight and success of<br />

performatives. The faults which could make performative acts invalid (e.g., reciting<br />

the wrong religious text in a liturgy) are unlikely to happen in rituals “because the<br />

formality of liturgical order helps to insure that whatever performatives they incorporate<br />

are performed by authorized people with respect to eligible persons or entities<br />

under proper circumstances in accordance with proper procedures.” 745 The ritualized<br />

form makes it possible to create meta-messages that are not necessarily informative in<br />

a lexcial sense but convey a special type of information that can bring about stipulated<br />

messages and conventional effects among participants. As Ray (1973) correctly<br />

remarks, “the ‘performative’ approach enables us to see not only that language is the<br />

central mechanism of these rites, but also how the belief in the instrumentality of<br />

words (their causal ‘power’) may be intelligibly understood without consigning it to<br />

the sphere of the ‘primitive’, the ’magical’, or the ‘symbolic’, as so frequently done.” 746<br />

We cannot grasp the meanings of Sikh worship acts without recognizing both the<br />

identity of words and what is being done through the performative acts involved.<br />

5.2. ANALYTICAL REFLECTIONS<br />

In the search for meanings of religious worship acts, linguistic and paralinguistic, one<br />

must necessarily have to look at the single ritual performance. There will always be<br />

particular ways by which acts and texts contextualize in situational settings, to which<br />

people bring with them a number of individual and socially shared ideas about the<br />

meanings and effects of the performances. The following sections of this chapter will<br />

illustrate a few means by which Sikhs contextualize and assign their worship acts<br />

conventional and situational meanings that are derived from broader social events<br />

743<br />

Keane 1997a.<br />

744<br />

Rappaport 1999: 114. He distinguished between “factives” which “bring into being the state<br />

of affairs with which they are concerned”, and “commissives” which “merely bring into being<br />

the commitment of those performing them to do so sometime in the future” (Rappaport 1999:<br />

115).<br />

745<br />

Rappaport 1999: 116.<br />

746<br />

Ray 1973: 17.<br />

464<br />

Published on www.anpere.net in May 2008

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