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INSIDE THE GURU'S GATE - Anpere

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modern interpretations of the Sikh religion. This textual part hails the Khalsa community<br />

and supplicates for the preservation and divine protection of its ideals, virtues<br />

and institutions and at the end seeks the welfare and prosperity of the whole<br />

world. It is most probable that this text evolved sometime during the eighteenth century<br />

and in the course of time has undergone amendments. 555 The second half of<br />

Ardas text has been adapted to the modern history of Sikhs: it recalls the Gurdwara<br />

Reform Movement in the 1920s and the refugees who laid down their lives during the<br />

partition in 1947. The text in current use has been sanctioned by SGPC and is recorded<br />

in the normative Sikh Rahit Maryada from 1950. 556<br />

From a purely textual viewpoint, Ardas is thus a compilation of two separate<br />

texts, even if most Sikhs perceive the prayer as a complete whole. Due to the believed<br />

sacrosanct authorship of the prelude of the text some may even assign the whole<br />

Ardas a sacred status similar to that of gurbani texts. The supplication is learnt orally<br />

and in writing by means of religious handbooks (gutkas), which contain the daily<br />

liturgies (nitnem) including Ardas and other useful gurbani hymns in Gurmukhi or<br />

Devanagri script. These handbooks usually render the text in verbatim, without<br />

commentaries or explanations, since Ardas, like gurbani, should be memorized and<br />

orally performed. It is more or less expected from Amritdhari Sikhs to be well acquainted<br />

with the texts and know it “by heart”, that is, be fluent in the reading and<br />

conduct the prayer at public functions. Within the gurdwaras it is generally the granthi<br />

who leads the congregation throughout a performance, while facing Guru Granth<br />

Sahib in a standing posture.<br />

Local Sikhs also distinguish between the “whole” (pura) or “big” (bara [Hindi]<br />

or vada [Punjabi]) Ardas and the “small” (choti) Ardas. Whereas the former term refers<br />

to readings of the Ardas text in full, the latter signifies an abbreviated version which<br />

comprises the prefatory recounting of all the Sikh Gurus’ names and the last final part<br />

which apologizes for errors and seeks the welfare of the world. In the daily Sukhasan<br />

ceremony the shorter version is read by the granthi after the Guru Granth Sahib has<br />

been arrayed in clothes to the tunes of Kirtan Sohila and before the scripture is carried<br />

to the bedroom for rest. Individual Sikhs will similarly present Choti Ardas after they<br />

have completed the recitation of Kirtan Sohila at night. In the gurdwara the abbreviated<br />

supplication always requires a standing position, while the rules will be more<br />

relaxed in private settings.<br />

555<br />

See Bhupinder Singh 1999: 100. As McLeod argues, the opening part of the Ardas text, containing<br />

Var Sri Bhagauti Ji Ki and the additional lines with the names of Gobind Singh and Guru<br />

Granth Sahib, can be traced to the eighteenth for two reasons: the authors of the eighteenth<br />

century rahit-nama literature seem to be well acquainted with the meaning of Ardas and used the<br />

term in their writings. Secondly, since the Sikh supplication invokes Bhagauti ‒ a goddess ‒ it is<br />

more likely to be a product of the time before Singh Sabha influences in the nineteenth century<br />

(McLeod 2003: 195 ‒ 196).<br />

556<br />

Sikh Rahit Maryada, 1994: 9 ‒ 11.<br />

323<br />

Published on www.anpere.net in May 2008

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