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INSIDE THE GURU'S GATE - Anpere

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osanct spaces in close presence of the Guru where only gurbani – the voice of the<br />

Guru ‒ resounds. From the perspective of spatial uses in ritual performances,<br />

sachkhand is a “fixed-featured space” intentionally set aside for a particular function<br />

and by spatial norms affect the behavior of people. 336 Consistent with local conventions<br />

people are free to enter the recitations room to pay respect, but within this area<br />

no public speeches or acts other than those directly related to the performances of<br />

Akhand path should occur. Regarding the scriptural bedroom only Amritdhari Sikhs<br />

are allowed to cross the threshold of this room, since it designates a demarcated private<br />

and pure resting place for scriptures. Devotees will enter the room only for the<br />

purpose of bringing and putting scriptures to rest and cleaning in service of the Guru.<br />

On daily visits in the gurdwara, people will bow and touch the floor before the closed<br />

door to the room in which scriptures are reposing.<br />

An equally significant space to be found inside a gurdwara is the kitchen and<br />

dining hall for the social and religious activity of distributing vegetarian food in the<br />

communal kitchen of the Guru (Guru ka langar). In Varanasi both of the gurdwaras<br />

keep separate kitchens equipped with large iron kettles (degh) for preparing rice and<br />

vegetable dishes, and boards for rolling and frying the customary thin flat bread<br />

(roti). The adjoining dining halls are large and unfurnished to provide enough space<br />

for the custom of sitting together in rows (pangat) on straw-mattresses when sharing<br />

meals. During an ordinary day the gurdwara normally serves three meals for employees,<br />

pilgrims, and other guests, and on festival days magnify the event of langar<br />

to a large feeding arrangement for the whole community.<br />

CREATING A DAILY COURT<br />

The conceptualization of any gathering in the gurdwara are contained in two formal<br />

emic terms which reflect basic assumptions rooted in the ideological and historical<br />

background of Sikhism: the first one is darbar or “royal court”, and the other one is<br />

divan, which denotes a court or tribunal of justice. The two Persian loan words, originally<br />

drawn from the bureaucratic parlance of Muslim rulers, recur frequently in the<br />

compositions of the Sikh Gurus as metaphors signifying a divine abode or the ultimate<br />

spiritual stage of union with God. 337 In historical times the words were employed<br />

to designate spatial and temporal gatherings of disciples in presence of the<br />

human Gurus. The way contemporary local Sikhs have come to conceptualize the<br />

idiom of a court shows that it firstly signifies the physical presence of the eternal<br />

spiritual authority ‒ Guru Granth Sahib ‒ and the assembly of devotees gathered in<br />

attendance of the Guru-scripture, that is, the satsang or “the congregation of virtuous<br />

336<br />

Hall 1966: 103 ‒ 112.<br />

337<br />

In the metaphorical language of the Gurus, the court of God is characterized by truth and<br />

described as the place where the guru-oriented devotee is honoured and united with the divine<br />

(see e.g. GGS: 7, 142, 144, 355, 688, 751, 1241). The divine court is also portrayed as a tribunal of<br />

justice at which Dharmaraj administers justice on order of God and all humans have to account<br />

for their actions after death (GGS: 15, 38, 109, 1330).<br />

166<br />

Published on www.anpere.net in May 2008

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