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INSIDE THE GURU'S GATE - Anpere

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tionship that emphasizes the absolute authority of the Guru. Through participation in<br />

the acts of seva devotees of various backgrounds are expected to acknowledge a<br />

shared lower status as disciples of the Guru. At the same time the internal structure<br />

of the procession extols collective norms that distinguish between Amritdhari Sikhs<br />

and other Sikhs. The carriage of the Guru Granth Sahib is always headed by groups<br />

of panj pyare, who symbolically display the high religious status granted to initiated<br />

followers within the community. Before the yearly celebration the local gurdwara<br />

committee will select the teams among community members. With exception for the<br />

smallest children, the five people representing the panj pyare should be male Amritdhari<br />

Sikhs of stable character who follow the Sikh code of conduct. In procession it<br />

is expected from the five men to walk barefoot ahead of the scriptural carriage while<br />

uninterruptedly reciting the mulmantra and courageously carrying swords in an upright<br />

position. Along the route they are not allowed to talk to each other or to anyone<br />

else. The same rule applies to the groups of boys who usually hold shorter swords<br />

and are requested to recite “Vahiguru” as much as they are able. The youngest participants<br />

are normally allowed to wear shoes, and instead of swords hold rosaries<br />

with 108 beads, by means of which they are to repeat the divine name. A local granthi<br />

frankly said that the devotional activities performed by the different groups of panj<br />

pyare are not necessarily “real” in the sense that their acts stem from inner devotion<br />

and feelings in the moment of acting. In his view, it was more correct to say that their<br />

actions function as exemplifications of Sikh virtues and devotional practices temporarily<br />

put on public display. With their bodies, dresses, and acts the panj pyare create<br />

kinetic images of the ideal Sikh saint and soldier (sant sipahi). 661<br />

As a public event, Nagar kirtan is an occasion for displaying religious Sikh activities<br />

to their own community and residents of the city. It may serve as a means for<br />

religious edification to strengthen common beliefs and pass on religious values to<br />

younger members. Children are enthusiastically encouraged to do acts of charity and<br />

demonstrate their skill in music and martial arts. Collectively participants display<br />

themselves as guardians of the religious power and authority enshrined in the text,<br />

and to partake in the procession is to be and become a Sikh. In a performative manner<br />

the procession attempts to create a self-representation of a coherent Sikh community<br />

that claims legitimacy to be visible and acknowledged in the outside society. Local<br />

congregations may hand out leaflets and exhibit placards with religious messages<br />

and invite prominent propagandists to create public awareness of Sikh doctrines,<br />

history, and social institutions. A middle-aged man said:<br />

661<br />

The physical effort to move throughout the city for a whole day makes adult members hesitate<br />

to play the part. Over the years I witnessed that the elderly team of panj pyare, expected to<br />

lead the procession from beginning to the end, consisted of the same individuals who took turns<br />

in representing history. These individuals were in different ways associated with the gurdwara<br />

committee and were reputed for their commitment. The boys composing the younger teams, on<br />

the other hand, altered between each celebration.<br />

408<br />

Published on www.anpere.net in May 2008

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