Forbidden Words: Taboo and the Censoring of Language
Forbidden Words: Taboo and the Censoring of Language
Forbidden Words: Taboo and the Censoring of Language
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114 <strong>Forbidden</strong> <strong>Words</strong><br />
The making <strong>of</strong> <strong>the</strong> st<strong>and</strong>ard<br />
That <strong>the</strong> wea<strong>the</strong>r clerk really makes <strong>the</strong> wea<strong>the</strong>r probably none but infants believe, but<br />
that language is made by compilers <strong>of</strong> dictionaries <strong>and</strong> grammars is a conception not<br />
confined to <strong>the</strong> young or ignorant. (Hans von Jagemann 1899; cited in Wardhaugh<br />
1999: 9)<br />
In general, st<strong>and</strong>ard languages represent a kind <strong>of</strong> linguistic ‘best practice’ – a<br />
set <strong>of</strong> behaviours that claims to excel all o<strong>the</strong>rs. Correctness, precision, purity<br />
<strong>and</strong> elegance are <strong>the</strong> qualities <strong>of</strong> <strong>the</strong> perceived st<strong>and</strong>ard. It is <strong>the</strong> measure <strong>of</strong><br />
excellence – <strong>the</strong> benchmark against which all o<strong>the</strong>r varieties <strong>of</strong> <strong>the</strong> language<br />
are gauged.<br />
best practice noun <strong>the</strong> set <strong>of</strong> operations achieving world-class results in quality <strong>and</strong><br />
customer service, flexibility, timeliness, innovations, cost, <strong>and</strong> competitiveness, especially<br />
from <strong>the</strong> cooperation <strong>of</strong> management <strong>and</strong> employees in all key processes <strong>of</strong> <strong>the</strong><br />
business.<br />
benchmark noun 1. Surveying a point <strong>of</strong> known elevation, usually a mark cut into<br />
some durable material, as stone or a concrete post with a bronze plate, to serve as a<br />
reference point in running a line <strong>of</strong> levels for <strong>the</strong> determination <strong>of</strong> elevations. 2.<br />
A point <strong>of</strong> reference from which quality or excellence is measured. (Macquarie<br />
Dictionary 2003)<br />
In <strong>the</strong> case <strong>of</strong> English, <strong>the</strong> st<strong>and</strong>ard language has been artificially created over<br />
many years, not by any English <strong>Language</strong> Academy, but by a patchwork <strong>of</strong><br />
different groups, including writers <strong>of</strong> style guides <strong>and</strong> usage manuals, dictionary<br />
makers, editors, teachers, newspaper columnists <strong>and</strong> <strong>the</strong> like. Their<br />
activities have amassed an arsenal <strong>of</strong> prescriptive texts that promote <strong>and</strong> seek<br />
to legitimize a single fixed <strong>and</strong> approved variety: dictionaries, grammars <strong>and</strong><br />
h<strong>and</strong>books that record, regulate, tidy up <strong>and</strong> iron out <strong>the</strong> language. 12 Their<br />
neat lists, elegant definitions <strong>and</strong> fine-spun paradigms necessarily ignore <strong>the</strong><br />
richness, diversity <strong>and</strong> variability that is found in any language system. So do<br />
histories <strong>of</strong> <strong>the</strong> language: with occasional lip service to regional differences,<br />
historical accounts <strong>of</strong> English have focused overwhelmingly on <strong>the</strong> making <strong>of</strong><br />
<strong>the</strong> present-day st<strong>and</strong>ard; <strong>the</strong> story <strong>of</strong> one variety has become <strong>the</strong> story <strong>of</strong> our<br />
language. 13<br />
St<strong>and</strong>ard English is <strong>the</strong> written variety that is promoted in schools <strong>and</strong> used<br />
in law courts <strong>and</strong> government institutions: students are expected to use it in<br />
essays, <strong>and</strong> ESL instructors teach it to foreign learners <strong>of</strong> English. Writers are<br />
supposed to acquire <strong>the</strong> st<strong>and</strong>ard rules, <strong>and</strong> those who do not are in danger <strong>of</strong><br />
being regarded as recalcitrant, lazy <strong>and</strong> incompetent; <strong>the</strong>y are said to have<br />
poor grammar – or, worse, no grammar at all. It should properly be referred to<br />
as <strong>the</strong> st<strong>and</strong>ard dialect; but since dialects are held to be subst<strong>and</strong>ard varieties