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Forbidden Words: Taboo and the Censoring of Language

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Sex <strong>and</strong> bodily effluvia 153<br />

Medieval <strong>the</strong>ologians recognized that verse 26 speaks <strong>of</strong> lesbians (though <strong>the</strong><br />

term did not <strong>the</strong>n exist) <strong>and</strong> that <strong>the</strong>y were subject to <strong>the</strong> same laws as<br />

sodomites 21 because <strong>the</strong>y all engage in ‘unnatural sin’. 22 However, it is male<br />

homosexuals who have drawn most attention; Engl<strong>and</strong>’s 1533 statute against<br />

buggery applied only to men. 23 This is, first, because men are more sexually<br />

predatory than women; second, because <strong>the</strong> flamboyance <strong>of</strong> flaming queens<br />

among male homosexuals renders <strong>the</strong>m more noticeably different from <strong>the</strong>ir<br />

straight peers than butch dykes in comparison with <strong>the</strong>ir straight sisters.<br />

(Fur<strong>the</strong>rmore, butch dykes are a relatively recent phenomenon – we are not<br />

speaking here <strong>of</strong> cross-dressers or transsexuals.) Third, some queens (effeminate<br />

male homosexuals) adopt camp mannerisms (e.g. are limp-wristed) <strong>and</strong><br />

use <strong>the</strong> voice; 24 for <strong>the</strong>se, <strong>the</strong>re is no real counterpart among lesbians.<br />

None<strong>the</strong>less, in Britain in 1994, a lesbian primary school principal who<br />

refused cheap tickets for Romeo <strong>and</strong> Juliet on grounds that <strong>the</strong> play is<br />

‘entirely about heterosexual love’ 25 was described as follows:<br />

With her short hair, heavy coat <strong>and</strong> workman style boots, she seemed to fit every<br />

stereotype <strong>of</strong> political correctness. Even her sullen, plainly unrepentant, expression<br />

seemed to match. (Guardian, 27 January 1994, p. 2)<br />

Here, ‘political correctness’ seems to be a euphemism for butch dyke.<br />

Throughout <strong>the</strong> twentieth century, <strong>the</strong> euphemism for a homosexual man<br />

was confirmed bachelor.<br />

In 1895 Oscar Wilde, wit, 26 poet, dramatist <strong>and</strong> poseur, was tried under <strong>the</strong><br />

Criminal Law Amendment Act <strong>of</strong> 1885. Ellmann summarizes <strong>the</strong> Act:<br />

Any male person who, in public or in private, commits, or is a party to <strong>the</strong> commission<br />

<strong>of</strong>, or procures or attempts to procure <strong>the</strong> commission by any person <strong>of</strong>, any act <strong>of</strong><br />

gross indecency with ano<strong>the</strong>r male person, shall be guilty <strong>of</strong> a misdemeanour, <strong>and</strong>,<br />

being convicted <strong>the</strong>re<strong>of</strong>, shall be liable, at <strong>the</strong> discretion <strong>of</strong> <strong>the</strong> Court, to be imprisoned<br />

for any term not exceeding two years with or without hard labour. When it was pointed<br />

out to Queen Victoria that women were not mentioned, she is reported to have said,<br />

‘No woman would do that.’ (Ellmann 1988: 386)<br />

In many <strong>of</strong> Wilde’s works, a secret sin or indiscretion is exposed <strong>and</strong> disgrace<br />

ensues. Wilde was a man who ‘could resist everything except temptation’ 27<br />

<strong>and</strong> who once said that life imitates art; 28 his did. Wilde, who was bisexual<br />

but exhibited many characteristics <strong>of</strong> a flaming queen, was partial to what<br />

would now be called rent boys, as well as to more aristocratic tricks (casual<br />

sex partners); he was blackmailed by <strong>the</strong> rough trade <strong>and</strong> mercilessly exploited<br />

by <strong>the</strong> beautiful, spoiled, spendthrift, reckless, vindictive Lord Alfred<br />

Douglas, known as ‘Bosie’. Bosie was constantly at war with his fa<strong>the</strong>r, <strong>the</strong><br />

nineth Marquess <strong>of</strong> Queensbury, an obnoxious, adulterous bully. Wilde’s<br />

demise was, indirectly <strong>and</strong> in part, collateral damage. Queensbury was<br />

smarting from <strong>the</strong> annulment <strong>of</strong> his second marriage <strong>and</strong> <strong>the</strong> suicide <strong>of</strong> his

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