Forbidden Words: Taboo and the Censoring of Language
Forbidden Words: Taboo and the Censoring of Language
Forbidden Words: Taboo and the Censoring of Language
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Notes to pages 23–36 257<br />
but <strong>the</strong> Bible, followed by dictionaries, encyclopedias <strong>and</strong> literary works by such<br />
as Dickens, Henry James <strong>and</strong> Shakespeare, <strong>the</strong>n medical books <strong>and</strong> pamphlets.<br />
Authors such as Boccaccio, Baudelaire, Chaucer, or Flaubert did not rate a mention.<br />
Given that respondents were willing to report on masturbatory practices <strong>and</strong> what<br />
<strong>the</strong>y found sexually stimulating (men, dancing, art), we may assume that <strong>the</strong>y were<br />
being honest. One must conclude that <strong>the</strong> power <strong>of</strong> written texts to subvert <strong>the</strong><br />
morality <strong>of</strong> young women lacks pro<strong>of</strong>.<br />
42 The Annals, book XIV: 50 (Tacitus 1908: 444).<br />
43 Jansen 1991: 46.<br />
44 Robert Mapplethorpe is a ra<strong>the</strong>r indifferent photographer by comparison with say<br />
Horst, Ansel Adams, Edward Weston or Doro<strong>the</strong>a Lange. However his photos <strong>of</strong><br />
gays, fisting, sado-masochism, a man pissing into ano<strong>the</strong>r’s mouth, himself dressed<br />
as Satan with a bull-whip in his arse for a tail, <strong>and</strong> <strong>the</strong> fact that he was to die <strong>of</strong> AIDS<br />
led to a notoriety that increased his saleability. See Hughes 1993: 163.<br />
45 Quoted in James Hall, ‘Kids’ author in <strong>the</strong> bad books’, Weekend Australian, 25<br />
September 2004.<br />
46 As Karl Marx wrote: ‘The real, radical cure <strong>of</strong> <strong>the</strong> censorship is its abolition. For it<br />
is a bad institution’ (Marx 1974: xii).<br />
2 SWEET TALKING AND OFFENSIVE LANGUAGE<br />
1 Ano<strong>the</strong>r way to interpret <strong>the</strong> term X-phemism is to imagine that X {ortho-,<br />
eupho-, dys-}.<br />
2 We do not distinguish between ‘tact’ <strong>and</strong> ‘social politeness’ as do Janney <strong>and</strong><br />
Arndt 1992; it seems to us that ‘social politeness’ is communalized ‘tact’ (a similar<br />
view to Blum-Kulka 1992: 258).<br />
3 This psycho-emotive characterization <strong>of</strong> <strong>the</strong> preferred–dispreferred dichotomy is at<br />
odds with its use by conversational analysts like Atkinson <strong>and</strong> Drew 1979, Bilmes<br />
1988, Toolan 1989 or Boyle 2000.<br />
4 These two aspects <strong>of</strong> face; are respectively positive <strong>and</strong> negative face; see Brown <strong>and</strong><br />
Levinson 1987; Watts, Ide et al. 1992; Scollon <strong>and</strong> Scollon 1995; Lee-Wong 2000.<br />
5 These expressions were used in defining <strong>the</strong> meaning <strong>of</strong> a reasonable man by<br />
Lord Justice Greer in Hall v. Brookside Club (Law reports, King’s Bench Division,<br />
vol. I, 1933: 224), but <strong>the</strong>y serve our purpose well. This despite Lord Justice Greer<br />
displaying his prejudice against <strong>the</strong> ordinary man by saying, ‘God forbid that <strong>the</strong><br />
st<strong>and</strong>ard <strong>of</strong> manners should be taken from <strong>the</strong> man on <strong>the</strong> Clapham omnibus.’<br />
Today, we have a more demotic notion <strong>of</strong> <strong>the</strong> st<strong>and</strong>ard <strong>of</strong> polite manners.<br />
6 Jenkinson 1979: 12.<br />
7 The law in <strong>the</strong> state <strong>of</strong> New South Wales, Australia.<br />
8 The first time fuck was used in a film was ei<strong>the</strong>r in 1967 in Ulysses or in 1968 in<br />
I’ll Never Forget Whatshisname . . . The first use <strong>of</strong> fuck in a hit was in M*A*S*H<br />
1970. Its first use in a PG rated film was in 1976 in All <strong>the</strong> President’s Men <strong>and</strong><br />
also The Front. In 1970, on Britain’s live-to-air Frost Programme, Felix Dennis<br />
described Jerry Rubin as ‘<strong>the</strong> most unreasonable cunt I’ve ever known in my life!’<br />
A Monty Python sketch ‘The Travel Agent’ was about a man who replaces <strong>the</strong><br />
letter c with a b, <strong>and</strong> who chides himself with being a silly bunt. The word cunt was<br />
scripted in a 1979 drama No Mama No. John Lydon (Johnny Rotten) caused