Rezümékötet 2008. - vmtdk
Rezümékötet 2008. - vmtdk
Rezümékötet 2008. - vmtdk
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152<br />
H U M Á N T U D O M Á N Y O K<br />
THE MUSIC AS A MEDIUM IN NOVELS OF GÉZA CSÁTH<br />
Author: Márta HUSZKA master studies<br />
Supervisor: Dr Éva HÓZSA professor<br />
Institution: Hungarian Language Teacher Training Faculty, Subotica<br />
In this exercise I treat with an up-to-date and wide-spreading problematic of literature and this is medialization.<br />
Mediums mediate between people and the world, we do not face with reality directly, and there is not an empty space<br />
between us. We can not pass by this problem, because the social development is strongly connected to the development<br />
and changing of mediums (medial turns).<br />
Making theories connected to this problem had been started in the area of every cultural study, and because of<br />
this there are new perspectives in literature, in interpretation of texts, because they are not anymore complexes, but<br />
always variable streams. The communication is more intensive between disciplines, what demonstrate the psychoanalyst<br />
theory of language. He said that we perceive things on the level of imaginary; we fill in the poverty of real things<br />
with linguistic symbols. We can not face with the real, because then everything would be on his own place, we would<br />
reach the end of desire. And that is that when we meet with an artwork, or when we dream; dreams show us what we<br />
hide in our subconscious mind. Subconscious is more then what imaginary could imagine; it has his own language,<br />
what we can not resolve.<br />
Géza Csáth intensifies the emotional impression, mood with music in his novels. When we read these texts, we<br />
can not choose if the musical inset is the part of the text, or the text is the part of the music. We can see this in the novel<br />
of „Vernal overture”, where the music generates the story. By this we can not classify this novels, he generate an<br />
original phraseology, which is not merely musical, not merely literary, which phraseology makes Géza Csáth the one<br />
of the biggest writer of the 20 th century.<br />
Keywords: medialization, Lacan, Csáth, music<br />
V I I . V A J D A S Á G I M A G Y A R T U D O M Á