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A Paradise Lost - KOPS - Universität Konstanz

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into a complex and unfair world is bloody: he has to kill his father’s cherished racing<br />

pigeons because a neighbor has falsely reported them as messenger birds.<br />

Without a word, Grampa and I reached in and removed the pigeons one by one<br />

and silently bled them to death with quick, clean slits across the throat. […] The<br />

memory of the gentle cooing of thirty-five silky-feathered pigeons slowly died<br />

away, faded away, bled away… and, finally, in silence, flowed down into the earth<br />

forever (127).<br />

Though the boy has to experience that everything Japanese is now under suspicion,<br />

Salisbury endows his Local kids with more integrity and common sense than the general<br />

American public had: “For a moment I forgot about the war. It was me and Billy again…<br />

like it used to be. Only now we shared a sadness” (150). Ultimately, this is a book about<br />

‘growing up Local,’ about coming of age at a crucial and confusing time in history. While<br />

the Japanese are caught between a host country that doubts their integrity, and an<br />

ancestral country that has turned into an enemy, the old native Hawaiian gardener knows<br />

their only avenue: “‘This island,’ Charlie said to Grampa, his voice kind. ‘This territory,<br />

Joji-san, this is your country now’” (163). Still, abandoning Japan is of no avail: Both<br />

Tomi’s father and grandfather are interned at Sand Island, later on the mainland. “If we<br />

ever needed baseball, it’s right now…” (189). In the cosmos of the game, there is order,<br />

there are rules and clear sides, everything the world outside the diamond can no longer<br />

offer.<br />

The war, however, brought worse things than shame and confusion to some. Nora<br />

Okja Keller’s 1997 novel Comfort Woman tackles the long-silenced story of the forced<br />

prostitution of Korean women by the Japanese army. The ordeal of these women as well<br />

as the psychological effects that continue to overshadow the lives of “recreation camp”<br />

survivors are imagined in a fractured narrative that is set in contemporary Honolulu but<br />

reaches back in time and place: After her parents have died, a twelve-year-old Korean girl<br />

is sold to the Japanese army by her older sister. In her two years at camp, her initial duties<br />

include tending to the other women and cleaning up. Thus, she becomes their means of<br />

communication:<br />

We were taught only whatever was necessary to service the soldiers. Other than<br />

that, we were not expected to understand and forbidden to speak, any language at<br />

101

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