A Paradise Lost - KOPS - Universität Konstanz

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Ridge 1981. Chock, Eric / Jody Manabe (eds.) Writers of Hawaii: A Focus on Our Literary Heritage. Honolulu: Bamboo Ridge 1981. Chock, Eric / Darrell H. Y. Lum (eds.) The Best of Bamboo Ridge. Honolulu: Bamboo Ridge 1986. Chock, Eric. Last Days Here. Bamboo Ridge Nos. 45/46. Honolulu: Bamboo Ridge 1990. Chock, Eric / James R. Harstad / Darrell H. Y. Lum / Bill Teter (eds.) Growing up Local: An Anthology of Poetry and Prose from Hawaii. Bamboo Ridge No. 72. Honolulu: Bamboo Ridge 1998. Chock, Eric / Darrell H. Y. Lum (eds.) The Best of Honolulu Fiction: Stories from the Honolulu Magazine Fiction Contest. Bamboo Ridge 74. Honolulu: Bamboo Ridge 1999. Césaire, Aimé. Über den Kolonialismus. Berlin: Wagenbach 1968. Conrad, Joseph. Heart of Darkness. New York: Dover 1990. Danticat, Edwige. Breath, Eyes, Memory. New York: Random House 1998. Darder, Antonia / Rodolfo D. Torres (eds.) The Latino Studies Reader: Culture, Economy and Society. Malden: Blackwell 1998. Davenport, Kiana. Shark Dialogues. New York: Plume 1995. Davenport, Kiana. Song of the Exile. New York: Random House 2000. Daws, Gavan. Shoal of Time: A History of the Hawaiian Islands. Toronto: Macmillan 1968. Day, A. Grove / Carl Stroven (eds.) A Hawaiian Reader. With an Introduction by James A. Michener. New York: Popular Library 1959. Day, A. Grove (ed.) Stories of Hawaii by Jack London. Honolulu: Mutual 1965. Day, A. Grove / Carl Stroven (eds.) A Hawaiian Reader Volume II. Honolulu: Mutual 1998. Dudoit, Darlaine Mahealani / Ku’ualoha Meyer Ho’omanawanui et al. (eds.) ‘Oiwi: A Native Hawaiian Journal. Inaugural Issue. Honolulu: Kuleana ‘Oiwi 1998. Dudoit, Darlaine Mahealani / Ku’ualoha Meyer Ho’omanawanui et al. (eds.) ‘Oiwi: A Native Hawaiian Journal Vol. 2. Honolulu: Kuleana ‘Oiwi 2002. DuPuis, Reshela. Documenting Community: Activist Videography in Hawai’i. Ph.D. 248
Dissertation: University of Michigan 1997. During, Simon (ed.) The Cultural Studies Reader. London: Routledge 1993. Dye, Bob (ed.) Hawai’i Chronicles: Island History from the Pages of Honolulu Magazine. Honolulu, University of Hawai’i Press 1996. Dye, Bob (ed.) Hawai’i Chronicles II: Contemporary Island History from the Pages of Honolulu Magazine. Honolulu: University of Hawai’i Press 1998. Emerson, Nathaniel B. Unwritten Literature of Hawaii: The Sacred Songs of the Hula. Reprint 1964. New York: Bureau of American Ethnology 1909. Fanon, Frantz. The Wretched of the Earth. New York: Grove 1963. Fanon, Frantz. Black Skin, White Masks. New York: Grove Weidenfeld 1967. Ferguson, Russell / Martha Gever / Trinh T. Minh-ha / Cornel West (eds.) Out There: Marginalization and Contemporary Culture. Documentary Sources in Contemporary Art 4. New York: Museum of Contemporary Art / Cambridge and London: MIT Press 1990. Franklin, Cynthia / Ruth Hsu / Suzanne Kosanke (eds.) Navigating Islands and Continents: Conversations and Contestations in and around the Pacific: Selected Essays. Literary Studies: East and West 17. Honolulu: University of Hawai’i Press 2000. Frutkin, Susan. Aimé Césaire: Black Between Worlds. Miami: University of Miami Press 1973. Fujikane, Candace. Between Nationalisms: Hawaii’s Local Nation and Its Troubled Racial <strong>Paradise</strong>. Typescript of paper delivered at the 11 th National Conference of the AAAS at Ann Arbor in April 1994. Fujikane, Candace Lei. Archipelagoes of Resistance: Narrating Nation in Asian American, Native Hawaiian, and Hawaii’s Local Literatures. Ph.D. Dissertation in English: University of California at Berkeley 1996. Gibson, Arrell Morgan. Yankees in <strong>Paradise</strong>: The Pacific Basin Frontier. Completed with the Assistance of John S. Whitehead. Histories of the American Frontier. Albuquerque: University of New Mexico Press 1993. Gima, Charlene Setsue. Writing the Pacific: Imagining Communities of Difference in the Fiction of Jessica Hagedorn, Keri Hulme, Rodney Morales, and Gary Pak. Ph.D. Dissertation in English: Cornell University 1997. 249
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A PARADISE LOST: MAPPING CONTEMPORA
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Das vierte Kapitel beschreibt die E
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Abstract This study is the first to
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5.1.4 Personal History: Poetry and
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No alien land in all the world has
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place for them on the map of ideas
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scant consideration of native Hawai
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time, we are all being distanced a
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mainland term, or ‘Hawaiian’ li
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the novel is to prevent his daughte
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uniqueness. Hawaii’s history of s
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end.” 44 Postcolonialism is often
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nation, in this case, the United St
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with the imperial power, and by emp
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strategy will be employed to analyz
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intermingling… It rejoices in mon
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grid of interdependence.” 78 Echo
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form and the resulting disjunction
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‘postmodern condition’ we all a
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each discourse stems from different
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as much an “India of the mind”
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If ‘the Caribbean’ is conveyed
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Hawai’i is a U.S. state, but its
Page 47 and 48:
Another common aspect of discarding
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decolonization, independence, and n
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not only were all the eleven territ
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solidarity as a bulwark against the
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Subramani discloses how the modern
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At no time in my undergraduate Engl
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epresentativeness, a cautioning aga
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the issei. Few had gone against the
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Yogi names David Mura, Cynthia Kado
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accepted ethnicities. 191 The book
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Cobb (Keller), Gary Pak, and Cathy
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[…] I learned to make my mind lar
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chapter will illustrate. After the
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academic departments began offering
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American terms. Recalling a rhetori
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No need to hear your voice when I c
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In the mid-19 th century, the first
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His admiration of the physical abil
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to come home at dusk, waiting with
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chant and hula performances, kahuna
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Demographically, Japanese Hawaiians
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at schools. 255 Such pervasive draw
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half-jokingly he asked me, ‘Was t
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Michener’s claim that “these Or
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As may be expected, Sumida’s past
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various aspects that And the View f
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accumulation of several aspects in
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writers, exhibiting a neo-colonial
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without divinity to sustain them, h
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contract laborers, Stone of Kannon
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different groups anxiously saw to i
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into a complex and unfair world is
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advice as spells and protection rit
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hiding one’s true self, the ambig
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Gary Pak is another writer of Korea
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their lives and reminiscing on hers
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Fuckin’ Kahaluu used to be mean.
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future that is sharply contrasted b
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understands some of the inequities
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make a major mainland publishing sp
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joining their forebears. Jess will
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printed nothing but poems. Sentimen
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American Samoa to maintain his inte
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adulthood and history. […] In bot
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You find you need China: your one f
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“and disappears”). One of the f
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In general, these poems reach beyon
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In “Tutu on da Curb,” the old l
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similarly reduced to gestures, look
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see that it doesn’t matter what f
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I thought of weather like a sailor
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the rubric “Asian Pacific America
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The texts collected in ‘Oiwi deal
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in the two ‘Oiwi issues can be ex
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had no rival in its casting of ligh
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Through a series of improvisational
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In colonial situations, resistance
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a homogeneous society. Their report
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I had been here nearly thirty years
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While this may be true, this statem
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tradition that is our own. […] we
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“Juk,” criticizing its lost nos
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You come with me In your dark brood
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the Hawaiian situation and as an ob
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plantation hierarchy are especially
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argues: “As Asian American writer
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Grace, easy. Joseph, easier. Blue-c
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other sensitive readers have been r
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In 1999, Marie Hara and Nora Okja K
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Japanese, Korean, Portuguese, Filip
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mean, Asian, sistah? You Chinee, o
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Cantonese words. 465 In the 1820s,
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Standard system.” 472 In any case
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In spite of its widespread appeal i
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they invite the reader to sound out
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poetry than the original: “What c
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As mentioned in the history chapter
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In Rodney Morales’ collection The
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da point.” The uncompromising Pid
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Page 209 and 210: Although there might be literal tra
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Page 213 and 214: 5.4 Place I would not have traded p
Page 215 and 216: 5.4.1 Reclaiming Hawaiian Space We
Page 217 and 218: turn of the caterpillar track wrenc
Page 219 and 220: matters Hawaiian. “We are native
Page 221 and 222: A far cry from Kahoolawe, an experi
Page 223 and 224: As Gayle Sato argues in her Amerasi
Page 225 and 226: Remembering his former failure to u
Page 227 and 228: Grant published such ‘factional
Page 229 and 230: It is still here, just like Hawai
Page 231 and 232: Mrs. Zane can speak several dialect
Page 233 and 234: flowers glowing like stars in the g
Page 235 and 236: While Native Hawaiian nationalists
Page 237 and 238: of an area that was to be cleared f
Page 239 and 240: outlook: “This is all, of course,
Page 241 and 242: Old Man and the Sea in their home t
Page 243 and 244: The most violent act James Cook cou
Page 245 and 246: slashed hand as if it were “somet
Page 247 and 248: unfolding, I wanted to swim toward
Page 249 and 250: In such passages, Davenport manages
Page 251 and 252: to our young Pacific writers: that
Page 253 and 254: though in a Local (Asian/native) co
Page 255: Balaz, Joe. Electric Laulau. CD. Ho
Page 259 and 260: Identity in the New Pacific. Pacifi
Page 261 and 262: McGaw, Martha Mary, Sister. Stevens
Page 263 and 264: the Rest of the World. London: Rout
Page 265 and 266: Trask, Haunani-Kay. From a Native D
Page 267 and 268: Appendix I: Hawaiian History in Dat
Page 269 and 270: 1863: Kamehameha IV dies and is suc
Page 271 and 272: 1924: The U.S. Congress passes Hawa
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