A Paradise Lost - KOPS - Universität Konstanz
A Paradise Lost - KOPS - Universität Konstanz
A Paradise Lost - KOPS - Universität Konstanz
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scholar, in 1991 has proven instrumental in creating, renewing and visualizing Pacific ties<br />
that in turn have strengthened and cross-fertilized indigenous sensibilities and writings<br />
both in Hawai’i and in the South Pacific. When running for the program’s presidency in<br />
2002, Hereniko stated his vision of a Center of increased store: Asking why students and<br />
scholars should not demand a Ph.D. program in Pacific Studies, 210 with options such as<br />
delivering exams and theses in indigenous Pacific languages, he cleverly positioned this<br />
ambition in a Polynesian value system, comparing a Ph.D. degree to the Oceanic status<br />
symbol of a ‘fine mat,’ a hand-made object of family/clan pride, useful yet primarily<br />
prestigious. His general objectives focus on a decolonization of education, a turn to<br />
indigenous epistemologies. This shall include interdisciplinary/holistic approaches,<br />
increased regional collaborations aided by modern technologies that enable distance<br />
learning, and a wide distribution of activities through various media. Another important<br />
aspect of Hereniko’s vision is an increased value placed on artistic creation and on<br />
performative aspects of Polynesian culture, to be integrated both in teaching as well as in<br />
student participation/expression in the program. A model could be the Oceania Artistic<br />
Center in Fiji, where a multimedia performance directed by Epeli Hau’ofa exemplified a<br />
harmonic association of traditional art forms and new technologies. Hereniko’s<br />
conception echoes experi(m)ent(i)al ethnic/minority approaches to scholarship as<br />
elaborated by Gloria Anzaldúa, Trinh Minh-Ha, or, in a Pacific context, Hau’ofa himself<br />
in his essays “Our Sea of Islands” and “The Ocean in Us.” However, it is a self-confident<br />
move with political implications to try and accommodate such approaches to the ‘learner<br />
level,’ where decolonization has to take root if it is to succeed. An indication of the<br />
results of Hereniko’s approach is that already many of his students are considering<br />
creative vocations, and are facing the challenge of ‘artistic exams’ with much enthusiasm<br />
and seriousness. 211<br />
In spite of such recent visions, the university’s function as a colonial institution<br />
has to be examined. One example is the history of its commitment to reach out to Asia on<br />
210 Without degree programs, there will probably be no specialists hired, hence there will not be innovative<br />
and in-depth classes offered. The ethnic studies departments will remain token concessions to political<br />
correctness, but no motors of decolonization and ethnic scholarship.<br />
211 My outline of Hereniko’s vision follows his candidate’s speech on May 9 th , 2002; personal attendance.<br />
My experience with his teaching style and its results derives from auditing his spring 2002 class “Cultural<br />
Identity in the Pacific Islands” (PACS 693).<br />
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