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A Paradise Lost - KOPS - Universität Konstanz

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Rocky and Akelina Souza, suggest that Caucasians can belong if they ‘play by the<br />

rules.’ 408 They may not be considered Local by some, but they bond over<br />

universal/gendered/island concerns such as worrying over their kids, sharing beer, and<br />

discussing pest control.<br />

The more recent arrivanls in “Brain Food,” on the contrary, are outsiders, and in<br />

the case of the parents, will remain so. The son, however, with the telling haole name<br />

Rich Harrison, devotes himself to fishing, and learns how to prepare a Local dish from<br />

the squid he caught. Moreover, he goes through a kind of initiation when he bites out the<br />

octopus’ eyes to win the respect of his Local peers, endowed with the equally telling<br />

names Skippa Moniz and Clayton Leong. The story seems to say that while you might<br />

have to ‘grow up Local’ in order to speak Pidgin and be a true insider, you can ‘taste’ and<br />

accept the place by sharing lifestyle, behavior, and food, by letting Locals teach you their<br />

way of doing and seeing things. Openness and humility will get you much further than<br />

arrogance and prejudice. MacMillan illustrates this point in a more recent story entitled<br />

“Aquatic Social Dynamics:” Coming out of the water, a haole skin diver spots some<br />

Hawaiians whom he had encountered in the ocean. To him, they look menacing and<br />

ferocious, but when they recognize their fellow underwater-addict, “in two seconds all<br />

three faces underwent an amazing metamorphosis – the defiant looks melted away,<br />

replaced by three smiles as amiable and warm as I can ever remember seeing.” 409<br />

Asked about reverse discrimination (now that Hawaii’s literary scene is finally<br />

Local/Asian-dominated), MacMillan agrees:<br />

In the old days it didn’t matter who wrote something, but nowadays it does. The<br />

identity of the author is connected with the work, particularly in authenticity of<br />

voice, which is assumed to be connected with ethnicity. […] Projection of the<br />

imagination is what it’s all about. It’s the exact opposite of what seems to be<br />

going on right now. Circumstances seem to urge people to write about themselves.<br />

Contrary to that, I write about whatever gets my imagination going. 410<br />

408 The name ‘Souza’ suggests Portuguese origin. In Hawai’i, people of Portuguese origin are not<br />

considered haole but are accepted as Local, because the Portuguese came as poor laborers, not as members<br />

of the missionary/sugar planter/annexationist class.<br />

409 Ian MacMillan, “Aquatic Social Dynamics,” in Ullambana and Other Stories from Hawai’i, Honolulu<br />

2002, quoted from a review article in Honolulu Weekly, 02/12-18/2003: 13.<br />

410 Ibid.<br />

156

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