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A Paradise Lost - KOPS - Universität Konstanz

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the Hawaiian situation and as an obvious link to mainland concerns and discussions about<br />

representation and responsibility within the multiethnic Asian American community.<br />

Local Asian literature is often read (if at all) as a subset of Asian American<br />

literature. The Association of Asian American Studies (AAAS) gave its literature award<br />

to Wing Tek Lum in 1988, Darrell Lum in 1990, Gary Pak in 1993, and Lois-Ann<br />

Yamanaka in 1994. Their texts, among others, are included in mainland anthologies, but<br />

receive little critical attention. Candace Fujikane thinks that this is due to Asian<br />

Americanists’ unfamiliarity “with specific political struggles in Hawai’i, and their relative<br />

silence regarding local literature is symptomatic of the difficulty of ‘fitting’ local<br />

literature into the political frameworks used to analyze Asian American literature.” 428<br />

When Yamanaka was presented with the award for her first book, Saturday Night at the<br />

Pahala Theatre, members of Hawaii’s Filipino community were offended by the book’s<br />

alleged stereotyping of Filipino men as sexually aberrant and violent. In 1997, when<br />

Yamanaka’s novel Wild Meat and the Bully Burgers had been nominated for the same<br />

award, the Filipino American Studies Caucus and others raised objections based on their<br />

concerns about the first book and her newly released novel, Blu’s Hanging. The board<br />

decided to issue no prize that year. In 1998, after new bylaws had separated board and<br />

book award committees, the latter decided to award the price to the controversial Blu’s<br />

Hanging. After much contestation, the award was rescinded and both current and<br />

incoming boards of the AAAS resigned. 429<br />

What offended Filipinos (and others) in Yamanaka’s first book is epitomized by<br />

its opening piece “Kala Gave Me Anykine Advice Especially About Filipinos When I<br />

Moved To Pahala:”<br />

No whistle in the dark<br />

or you call the Filipino man<br />

from the old folks home across your house<br />

who peek at you already from behind<br />

the marungay tree, the long beans<br />

in front of his face […]<br />

428 Fujikane 1996: 65.<br />

429 For a more detailed chronology see Candace Fujikane, “Sweeping Racism under the Rug of<br />

‘Censorship:’ The Controversy over Lois-Ann Yamanaka’s Blu’s Hanging,” in Amerasia 26 No. 2 (2000):<br />

158-94. Stephen Sumida later became president of the reinstated AAAS.<br />

165

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