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A Paradise Lost - KOPS - Universität Konstanz

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Stuck with his master’s thesis on “The Tao of Surfing: Physics and Metaphysics,” he<br />

avoids getting to work and goes boogie-boarding with his mysticism-loving professor<br />

instead. The older surf addict is of little help, reasoning “you’re out there doing research.<br />

The ocean is your topic” (128. The student had won “Doc” over with a paper entitled<br />

“Surfing: A Surface Trip or a Dive into the Mythic Center”). 599 Out on the water, Nick<br />

can at least escape his feeling of inadequacy, the wife and child he left after he had almost<br />

let his toddler Kaipo drown in a swimming pool at a party: “And no matter what I did or<br />

said in the weeks that followed, her message to me was Not good enough.” 600 When he<br />

meets another woman, beautiful and independent, his surf buddy muses about Nick’s<br />

dilemma: “You see, we men want the ocean… we want it all…. But sometimes a<br />

swimming pool, you know, in a certain kind of light, perhaps midnight blue, music<br />

coming out of the stereo, glass of wine in hand, can be pretty nice” (142). Caught up<br />

between the two women, between security and adventure, between “adulthood” (149) and<br />

being “the eternal student” (133), and between the love for his son and his<br />

irresponsibility, Nick reasons that “catching a gigantic wave seemed to be the only<br />

sensible thing to do” (ibid.). Though he is afraid of the “treacherous” waves brought in by<br />

a “tropical storm in the South Pacific” (147), he ventures out into the dangerous terrain,<br />

getting caught in “a sweeping, swirling hurricane of a wave.” His breathless account of<br />

the ride in (“Faster. Faster. Yeah. board…almost lose board. Hold on. Ace standing up.<br />

On what? See no board. IloveitIloveitIloveit. I turn. 360. Whynotwhynotwhynot?<br />

‘Whoaaaaa…’ Lose board. I’m flying. Ace flying too…fast…too fast. I land hard – ugh!<br />

– on my back,” 151) ends in dizzy laughter. Before Nick even realizes that he has injured<br />

his head under water,<br />

everything was swirling, a vortex of giddiness and fear. I felt weak, as if a power<br />

line had been cut. I sought out the calm in Kaipo’s brown eyes. And I found it<br />

there, in the crescent moons on the edges of his irises. Then his eyes too began to<br />

swirl, a vortex as accessible as Diana’s smile, Lemony’s green sea. Perfect tubes<br />

silvery light” (91-2).<br />

599 Morales 1988: 128. In the same paragraph, Morales describes the ‘Local’ professor type: “Now wearing<br />

cutoffs, a tank top, and rubber slippers (rather than the accoutrements of a scholar – pressed jeans, faded<br />

aloha shirt, Birkenstock sandals), Doc was just another guy to hang out with.”<br />

600 Morales 1988: 141. The little boy adds to the ocean’s significance for Morales’ story. His name means<br />

“Night Sea” (kai = sea water, po = darkness), and he was conceived in the electricity-less darkness of<br />

Hurricane Iwa: “One stray spermatozoön, that nocturnal emissary, braved that night-sea journey during the<br />

blackout and arrived at Diana’s fertile shores” (130).<br />

238

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