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A Paradise Lost - KOPS - Universität Konstanz

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uniqueness. Hawaii’s history of sovereignty and colonization along with its ‘insularity’<br />

can account for much of this difference. In his 1980 book Fairly Lucky You Live Hawaii!<br />

Cultural Pluralism in the 50 th State, Richard Rapson assesses the islands’ situation as<br />

follows:<br />

Hawaii thus resembles in its past and in its present a Third World society, once<br />

non-Western, then conquered by the West, then trying to reclaim its original<br />

heritages and identities. But there is a crucial difference: this society has joined<br />

the West by becoming part of the United States. Its localism faces a more complex<br />

task than merely reconciling science and a non-Western legacy. For Hawaii has a<br />

multiplicity of such legacies and, further, it is a part of American society<br />

containing a large and ever-growing resident population of Americans from the<br />

continental United States. Hawaii also carries the full paraphernalia of that<br />

society, from McDonald’s stands to satellite television to a range of powerfully-<br />

equipped U.S. military bases and personnel. 40<br />

Anyone familiar with island shorelines and beaches knows that they are not permanent boundaries. They<br />

are forever shifting under the influence of winds and waves, especially storm waves.<br />

George Hu’eu Sanford Kanahele – Ku Kanaka – Stand Tall: A Search for Hawaiian Values 41<br />

2. Theories and Methods: Navigational Instruments<br />

The theoretical basis and analytical tools that inform this study, the warp and the woof of<br />

its grid, so to speak, are first the recognition that culture means a ‘whole way of life’ as<br />

taken from the cultural studies project of Raymond Williams, Stuart Hall, and their<br />

followers, which allows for the inference of data from various disciplines, such as<br />

popular culture, island politics, newspaper clippings, or statistics, to contextualize and<br />

situate the literature under scrutiny as part of Hawaiian as well as American culture. This<br />

in turn should lay bare the hegemonic discourses at work as well as resistance to, mimicry<br />

of, and subversion of them. Second, this study employs the idea of postcolonialism as a<br />

40 Richard L. Rapson, Fairly Lucky You Live Hawaii! Cultural Pluralism in the 50 th State, Lanham 1980: 2.<br />

41 George Hu’eu Sanford Kanahele, Ku Kanaka – Stand Tall: A Search for Hawaiian Values, Honolulu<br />

1986: 191.<br />

13

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