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A Paradise Lost - KOPS - Universität Konstanz

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text Noli mi Tangere is as much part of a canon as José García Villa’s short stories and<br />

poems of the 1930s to 1950s. A typical immigrant sensibility is exhibited by Carlos<br />

Bulosan, whose 1946 memoir America Is in the Heart has been among the texts retrieved<br />

and canonized by Frank Chin and the Combined Asian Resources Project (CARP) in the<br />

1970s. Bulosan’s text addresses the hardships that he and other itinerant Filipino workers<br />

in the American West had to deal with, but in the face of discrimination and<br />

disappointment, he maintains:<br />

You did not give America to me, and never will.<br />

America is in the hearts of people that live in it.<br />

But it is worth the coming, the sacrifice, the idealism.<br />

Yes, it is worth all these – and the loneliness at night,<br />

The bitterness of prejudice, the sharp fangs of hunger,<br />

The terror of rootlessness. 188<br />

Bienvenido Santos, whose 1989 novel What the Hell for You Left Your Heart in San<br />

Francisco is assessed as “the quintessential Filipino American novel to date,” 189 reiterates<br />

the unwieldy self-perception of a writer who refuses simple labels: “I’m an Asian writer<br />

who writes in English. And we live in America. I want to be called a Filipino writer<br />

writing in English. A Filipino writer who has been in and out of this country, who has<br />

been more in than out of this country, perhaps.” 190 Other important figures are Ninotchka<br />

Rosca, author of State of War, and Jessica Hagedorn, whose novel Dogeaters was<br />

nominated for the 1990 National Book Award. She has also edited Charlie Chan Is<br />

Dead: An Anthology of Contemporary Asian American Fiction in 1993. This anthology<br />

acknowledges its debt to the trailblazing activity of the two Aiiieeeee! books, but intends<br />

to transcend their narrow definition of what Asian American literature is. Thus, Hagedorn<br />

includes Vietnamese American and South Asian American writers alongside the already<br />

188 From a poem quoted by Gonzalez in Cheung 1997: 72.<br />

189 Gonzalez in Cheung 1997: 70.<br />

190 Quoted by Campomanes in Cheung 1997: 78.<br />

56

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