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A Paradise Lost - KOPS - Universität Konstanz

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Much of the region’s writing can be interpreted as mixing these modes. 159 What unites the<br />

writers – and their Hawaiian counterparts – is their quest for what is lost; paradise,<br />

childhood, the past, one’s homeland, innocence, meaning, love: As Wendt aptly put it:<br />

“In our various groping ways, we are all in search of that heaven, the Hawaiki, where our<br />

hearts will find meaning; most of us never do find it, or, at the moment of finding it, fail<br />

to recognise it.” 160<br />

Another huge obstacle for pan-Pacific ideas to take hold is the pervasiveness of<br />

jingoistic nationalisms throughout the region, its worst instance having been the Fijian<br />

military coups in 1987, with repercussions that Indo-Fijians still have to struggle with<br />

today. Raymond Pillai expresses his frustration with the negative image of Indians in Fiji<br />

in harsh terms in his poem “Labourer’s Lament:”<br />

We do not wear upon our sleeve<br />

That damaging star of shame.<br />

But need we symbols to believe<br />

We’re Jews in all but name. 161<br />

Indo-Fijians form the only larger immigrant community in the region, and comprise a<br />

relatively high number of writers. Instead of drawing on indigenous oral traditions, these<br />

authors are influenced by Indian fables and folktales. As immigrants often experience<br />

rootlessness, they either develop a greater need to cling to their homeland’s traditions or<br />

an assimilatory urge to establish a bond to their new home, depending on the immigrants’<br />

generation. This will surface in their writings, much as it does for example in the AJA’s<br />

texts from Hawai’i. 162 Especially indentured laborers have often been lured with a<br />

‘promised land’ only to be disappointed, being left with another paradise lost.<br />

159 Other important South Pacific writers are the Indo-Fijian poet Sudesh Mishra, novelist and poet Satendra<br />

Nandan, and critic and short fiction writer Subramani himself, the playwrights Pio Manoa from Fiji and<br />

Vilsoni Hereniko from Rotuma, the Papuan satirist Epeli Hau’ofa, the Cook Islands novelist and Prime<br />

Minister Sir Tom Davis, the Niue/New Zealand artist, poet and novelist John Pule, and the poets Momoe<br />

Malietoa von Reiche from Samoa and Konai Helu Thaman from Tonga. Please refer to the mentioned<br />

anthologies for samples of their works and to Subramani’s study for a first assessment.<br />

160 Albert Wendt, “Towards a New Oceania,” Mana Review 1 No.1 (January 1976): 49; quoted in<br />

Subramani 1992: 94.<br />

161 Quoted in Subramani 1992: 87, no reference. Subramani lists what is being held against Indians: their<br />

economic shrewdness, their number of children, their being given to excesses, and other prejudices. In the<br />

same context, Vijay Mishra adds: “There have been the Micheners forever in search of scapegoats, forever<br />

accusing and confusing” (quoted ibid.).<br />

162 AJA is the common abbreviation for Americans of Japanese ancestry.<br />

48

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