Festivalkatalog der Ruhrtriennale 2022
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Dear Audience,<br />
Very few people from outside the Ruhr area would describe it as »beautiful«.<br />
They might say that the Schwäbische Alb, the Allgäu and the Lüneburger Heide<br />
are beautiful. Yet there seems to be some agreement that people in the Ruhr<br />
region are generally friendlier and more open than elsewhere in Germany;<br />
this may have something to do with – as many people who come from the Ruhr<br />
region themselves say – the »miner mentality«, which goes back to the coal and<br />
steel industry. In other respects, however, the extensive green areas, the broad<br />
sky and the meadows along the rivers are striking in the Ruhr region ... So, is it<br />
beautiful after all? Where would the authority actually be that had the monopoly<br />
on the concept of beauty – and, with that, perhaps even on the truth and good?<br />
Hardly anyone is able to judge a region without bringing legends and clichés to<br />
the fore, and we know the pitfalls of doing so. We know that our perspective<br />
can narrow consi<strong>der</strong>ably if we unquestioningly take everything we believe to<br />
know about a region as the starting point of our vision. So how do we awaken<br />
the longing to strip away the attributions, to see this region differently, anew<br />
and, as it were, without presuppositions?<br />
The arts may be as subject to the changing times as any other discipline. They<br />
may err, they may become threadbare, they must laboriously make friends<br />
with constantly changing conditions and judgements.<br />
One thing, however, they must always do, if they are to develop their power:<br />
They must make a claim.<br />
Bohemia lies by the sea is the title of one of Ingeborg Bachmann’s most<br />
important poems. She took the geographically incorrect assertion from<br />
Shakespeare’s The Winter’s Tale to explore poetically the possibilities of how<br />
a society of opposites can come together, how different forms of the arts can<br />
converge, and how a perspective on a different state of the world becomes<br />
possible. This has nothing to do with a utopian idyll; rather, the shift of<br />
Bohemia on the map is based on a painful experience. All who are to come to<br />
Bohemia must know:<br />
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