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THE PSYCHOLOGY OF SATANIC CULT INVOLVEMENT: AN ...

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141<br />

which the self is identified with its objects may vary. Some objects may be assimilated<br />

into the ego, while others may not be assimilated at all, existing as "alien objects or<br />

foreign bodies" (Hinshelwood, 1991, p. 194).<br />

8.5 Satan and satanic pacts in the theory of Melanie K1ein<br />

Psychoanalysis' early acquaintance with demonic phenomena has been through textual<br />

interpretation only; in Freud's case, a historical case study; and in Klein's, a work of<br />

fiction. The opus ofKlein's work contains only one mention ofdemonic phenomena, and<br />

that is in her detailed (1955) interpretation of a satanic pact in a literary work, IfJ were<br />

you, by Julian Green. Klein had no explicit intention of illuminating the issue of the<br />

Devil and demonic possession, but instead, uses the literary work to demonstrate the<br />

related phenomena of introjection and projective identification - the processes whereby<br />

the infant, using parental figures, constructs and consolidates a personal identity. Klein's<br />

article does, however, provide a rich source of material upon which to construct an object<br />

relations theory of Satanism.<br />

The hero of the above-mentioned novel, Fabian, is seduced by the Devil into accepting a<br />

magic formula which allows him to transform himself into those individuals he perceives<br />

as more powerful and attractive than himself. Motivated by envy and greed, he magically<br />

transforms himself into a number of other people perceived to be more fortunate than<br />

him, only to find himself discontent with each transformation. These transformations are<br />

metaphoric depictions, argues Klein, ofprojective identification - fantasies ofsplitting off<br />

parts of the self, projecting them into external objects, and thereby unconsciously<br />

identifying with and controlling the recipient ofthe split-offaspects (Klein, 1946).<br />

The Devil first appears after Fabian's mother forbids him from going out to meet a new<br />

lover, and Fabian, having defied her, discovers that the girl has not arrived. The Devil's<br />

appearance in this context of instinctual frustration suggests, says Klein, that he<br />

represents "the dangerous impulses which are stirred up in the young infant when his<br />

mother frustrates him.<br />

In this sense the Devil is the personification of the infant's

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