DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
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In Victoria’s case, the extrinsic motivation behind her life was to look after her aged<br />
mother and the social pressure to conform. She was working as a hairdresser in the<br />
same village as her mother, feeling unhappy, controlled by the culture and citing<br />
religious pressure as one source of control:<br />
“I grew up in a farm with a Catholic family. There are a lot of things that are implied<br />
– you shouldn’t do this, you shouldn’t do that, and you grow up with these things,<br />
they control you. I think that religion has a big part in it in the culture I came from.”<br />
(p.17)<br />
Claire was a single mother throughout most of her twenties, as her first marriage<br />
ended when she was just 23, leaving her to bring up two children by herself. The<br />
extrinsic goal motivating her career as a businesswoman through her twenties was to<br />
provide financially for her children, despite this meaning having to work in a job she<br />
did not enjoy. As a single mother she had to work to provide, which was a strong<br />
extrinsic bind:<br />
“Well, because I was driven by necessity, I had never really elected to go into work. I<br />
wanted the money to feed, clothe and educate my children.” (p.3)<br />
8.6 Developing a Dysfunctional Persona<br />
Alongside the development of an extrinsically-oriented life structure in early<br />
adulthood, all six describe the development of a persona to fit into the roles they had<br />
adopted. Rob actually uses the term “persona” itself (p.16). Mark described having<br />
developed a “façade” (p.15), while Frank uses a metaphor of “walls of ice” around<br />
him (p.18). Victoria referred to having developed a “façade” (p.20), Claire refers to<br />
an “artificial, hard-nosed personality” (p.4) and Lilly referred to a “shell” around her<br />
(p.9).<br />
Jung described how personas are potentially adaptive and healthy, but are also<br />
potentially dysfunctional and damaging. The personas in this study can be seen to<br />
have developed into dysfunctional facades. The dysfunctions in question are<br />
threefold, and are inner-outer dissonance, over-homogenisation and overidentification.<br />
These will be described in turn, with illustrative quotes, below.<br />
a) The Dissonant Dysfunction: The Sense of Living Falsely<br />
A persona can become dysfunctional if it takes a form that is in actual conflict<br />
with inner goals, values and aspirations. The persona in this dissonant condition feels<br />
“false” or “artificial”, and behaviour in accordance with this identity feels like a<br />
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