DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
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“I did feel in the past much less feminine than how I feel now. Now I am more<br />
realised as a person, I feel more feminine. I got in touch with my femininity more<br />
than before. I don’t know why, it’s difficult to explain this process. When I was<br />
young I was quite masculine, I used to have short hair and be quite a tomboy. That<br />
was a façade of being a little bit masculine was trying to prove myself because I<br />
couldn’t find any other way.” (p.12)<br />
Victoria further described the mending of the rift that a dissonant persona creates<br />
within the self as an experience of inner/outer harmony:<br />
“Now I give an harmonious aspect of myself. [Int: That’s really interesting. What do<br />
you mean by harmonious?] Probably what I feel inside is showing outside. So there’s<br />
a harmony within and without.” (p.12)<br />
Lilly also experienced a more feminine self after her crisis. In the following<br />
quote Lilly actively links being in a masculine environment with her prior lack of<br />
feminine activities, and talks of adopting behaviours since the crisis that allow her to<br />
access her femininity:<br />
“I also learnt how to just be girly with the girls, instead of going to the pub or bar or<br />
whatever - just sitting around painting toenails and dyeing someone's hair. Because I<br />
had always lived with men after leaving home I hadn't really done that and its actually<br />
very therapeutic being with people who always support you because you are the same<br />
sex.” (p.21)<br />
She also spent more time with women after the crisis. Her move to London led to<br />
being closer to her female friends, who before the crisis she rarely if ever saw:<br />
“So I think now it is more about that I am closer to my girlfriends, I have had more<br />
intimate relationship with my girlfriends. We have ongoing current jokes, and when I<br />
came back to London, you get back into those more intimate relationships with<br />
women.” (p.19)<br />
Lilly equated her feminine side with openness and the admission of vulnerability, in<br />
contrast to the “toughness” that she valued prior to her crisis:<br />
“I used to find it really hard to ask for help from anyone, and after my crisis I learnt<br />
how to and when to, even though I still don't like it! I see that as a more feminine<br />
trait - how many men will ask for directions? I also found it hard to say if I was hurt<br />
or if someone upset me, and I hated to cry because I thought it was weak. I learnt to<br />
cry a lot during and after my crisis, which some people might think is more feminine,<br />
and how to ask just for a hug or just for cheering up.” (p.20)<br />
Claire described how going back to being a wife and mother was a recapturing<br />
of her sense of being a woman – looking after a house and children was an expression<br />
of her femininity. However, after this marriage failed, she was forced to go back into<br />
a male-dominated workplace and she had to re-assemble the same masculinised<br />
persona she had before. It took her another ten years at least to get out of that work<br />
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