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DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...

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c) The Over-Identified Dysfunction: When Persona Takes Over<br />

A third way in which a persona can become problematic is if it turns from a<br />

functional exteriority to the self, used sparingly for impression management and rolebased<br />

interaction, into something that becomes the whole self. In this condition one<br />

no longer has a persona, but is that persona, and identity therefore becomes an act.<br />

The commandeering of the self by the persona can lead to an atrophy of the inner self,<br />

with all its personal and idiosyncratic preferences, values, goals and aspirations. In<br />

this over-identified condition, violation of conventions puts the self’s existence in<br />

jeopardy, for the self now exists in those conventions that shape the persona. This<br />

leads to a very rigid sense of self that is intolerant of non-conformist or eccentric<br />

behaviour.<br />

Mark implies this over-identified dysfunction by suggesting his pre-crisis<br />

identity was defined by his work role: “When I was at RSPG it was very clear, when<br />

people said ‘who are you?’ I would say ‘I am an RSPG consultant’.” 7 (p.18)<br />

Frank also implies an over-identified persona by using a metaphor of walls of ice<br />

around him which he could not get out of:<br />

“I didn’t know how to get out of it. I didn’t know how to get out of the walls of ice,<br />

because they were too thick. At that point it is just force of habit – you just don’t<br />

know how to relate naturally to people.” (p.18)<br />

Several quotes from marketing executive Rob lucidly portray the over-identified<br />

dysfunction, in which self becomes subsumed by persona until the persona is all that<br />

there is left:<br />

“So the persona you build up becomes all of you, so it’s completely consistent with<br />

marketing and false advertising. Unconsciously I chose a career that allowed me to<br />

create a completely false image of myself.” (p.16)<br />

“Now, yeah, of course, I think that false advertising, the whole industry is about that<br />

and creating a false image of self, packaging it and selling it. So I think I became the<br />

industry that I was working in. Then I was completely immersed in what I was doing,<br />

and that is where I got my sense of identity from.” (p.14)<br />

Claire described her persona as “this façade of success and reliability.” (p.3)<br />

Her analogy for this was “a dressing-up box”, from which she would create the right<br />

artificial appearance:<br />

7 Compare this with the similar phrase from Guy in phase 2: “Who was I? I was this network director<br />

for Parnell Bank.” (p.2).<br />

153

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